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Neither god nor master : Robert Bresson and radical politics /
The French auteur Robert Bresson, director of such classics as Diary of a Country Priest (1951), The Trial of Joan of Arc (1962), The Devil, Probably (1977), and L'Argent (1983), has long been thought of as a transcendental filmmaker preoccupied with questions of grace and predestination and li...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
©2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Price, Brian, |d 1970- |1 https://id.oclc.org/worldcat/entity/E39PCjHwmqkmJvrjKQmWyhmFjC | |
| 245 | 1 | 0 | |a Neither god nor master : |b Robert Bresson and radical politics / |c Brian Price. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2011. | ||
| 300 | |a 1 online resource (223 pages) | ||
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| 504 | |a Includes bibliographical references (pages 209-220) and index. | ||
| 505 | 0 | |a Introduction -- Crime as a form of liberation : modeling revolt in Pickpocket and A man escaped -- Word and image, world and nothingness : logocentrism and ironic reversal in Procès de Jeanne d'Arc, Diary of a country priest, and Les anges du péché -- Man and animal, master and servant : animals and criminality Mouchette and Au hasard Balthazar -- The aftermath of revolt : Une femme douce and The turn to color -- Disintegration : Lancelot du Lac, or, the failure of identification and totality -- The agony of ideas : The devil probably and revolutionary discourse -- The last gasp : L'argent and the end of socialism. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a The French auteur Robert Bresson, director of such classics as Diary of a Country Priest (1951), The Trial of Joan of Arc (1962), The Devil, Probably (1977), and L'Argent (1983), has long been thought of as a transcendental filmmaker preoccupied with questions of grace and predestination and little interested in the problems of the social world. This book is the first to view Bresson's work in an altogether different context. Rather than a religiousùor spiritualùfilmmaker, Bresson is revealed as an artist steeped in radical, revolutionary politics. Situating Bresson in radical and aesthetic po. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Bresson, Robert |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Bresson, Robert |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJp9qXgqF3khb6PVHgmrv3 |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Neither god nor master (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH3jkxTY8FxcYJKrf34Rmm |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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