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Contemporary American fiction /

This is an accessible, lucid and incisive study that will prove indispensable to students and scholars of contemporary American fiction. Featuring a wide range of authors - from canonical figures such as Philip Roth, Don DeLillo and Annie Proulx, to increasingly influential writers such as Jeffrey E...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Brauner, David, 1968-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, ©2010.
Colección:Edinburgh critical guides to literature.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Brauner, David,  |d 1968-  |1 https://id.oclc.org/worldcat/entity/E39PBJd3Kkk7w4j8H3K7xmpHG3 
245 1 0 |a Contemporary American fiction /  |c David Brauner. 
260 |a Edinburgh :  |b Edinburgh University Press,  |c ©2010. 
300 |a 1 online resource (xviii, 236 pages) 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Edinburgh critical guides to literature 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Cover -- Copyright -- Contents -- Series Preface -- Acknowledgements -- Chronology -- Introduction -- Chapter 1 â€?The space reserved for ironyâ€?: Irony and Paradox in Don DeLilloâ€?s White Noise, Paul Austerâ€?s City of Glass and Bret Easton Ellisâ€?s American Psycho -- Chapter 2 Silence, Secrecy and Sexuality: â€?Alternate Historiesâ€? in Jane Smileyâ€?s A Thousand Acres, Carol Shieldsâ€? The Stone Diaries and Jeffrey Eugenidesâ€? Middlesex 
505 8 |a Chapter 3 â€?Nes and Yoâ€?: Race, Ethnicity and Hybridity in Gish Jenâ€?s Mona in the Promised Land, Philip Rothâ€?s The Human Stain and Richard Powersâ€? The Time of Our SingingChapter 4 Contemporary American Fiction Goes to Hollywood: Genre in the Texts and Films of Cold Mountain, Brokeback Mountain and No Country for Old Men -- Conclusion -- Student Resources -- Index 
520 |a This is an accessible, lucid and incisive study that will prove indispensable to students and scholars of contemporary American fiction. Featuring a wide range of authors - from canonical figures such as Philip Roth, Don DeLillo and Annie Proulx, to increasingly influential writers such as Jeffrey Eugenides, Gish Jen and Richard Powers - the book combines detailed readings of key texts with informative discussions of their historical, social and cultural contexts. There are chapters focusing on formal characteristics (the use of irony and paradox in novels by Don DeLillo, Paul Auster and Bret Easton Ellis, and the generic properties of the texts and films of Cold Mountain, Brokeback Mountain and No Country for Old Men) and on thematic concerns (the representation of gender and sexuality in novels by Jane Smiley, Carol Shields and Jeffrey Eugenides, and of ethnicity, race and hybridity in fiction by Gish Jen, Philip Roth and Richard Powers). Running through all these chapters is an interrogation of all three elements making up the phrase 'contemporary American fiction'. Key Features Identifies some of the main trends in contemporary American fiction and situates them in historical and cultural contexts Discusses a representative range of recent fiction, providing a sense of the rich diversity of the field and of its key themes and modes of writing Introduces students to a variety of critical approaches to, and debates concerning, contemporary American fiction Encourages reflection on the nature of national, gender, ethnic and generic identities 
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650 0 |a American fiction  |y 21st century  |x History and criticism. 
650 6 |a Roman américain  |y 20e siècle  |x Histoire et critique. 
650 6 |a Roman américain  |y 21e siècle  |x Histoire et critique. 
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648 7 |a 1900-2099  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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