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Fantasies of the New Class : Ideologies of Professionalism in Post-World War II American Fiction /

America's post-World War II prosperity created a boom in higher education, expanding the number of university-educated readers and making a new literary politics possible. Writers began to direct their work toward the growing professional class, and the American public in turn became more open...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schryer, Stephen
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Columbia University Press, 2011.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Fantasies of the New Class :  |b Ideologies of Professionalism in Post-World War II American Fiction /  |c Stephen Schryer. 
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380 |a Bibliography 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: fantasies of the new class -- The republic of letters: the new criticism, Harvard sociology, and the idea of the university -- Life upon the horns of the white man's dilemma: Ralph Ellison, Gunnar Myrdal, and the project of national therapy -- Mary McCarthy's field guide to U.S. intellectuals: tradition and modernization theory in Birds of America -- Saul Bellow's class of explaining creatures: Mr. Sammler's planet and the rise of neoconservatism -- Experts without institutions: New Left professionalism in Marge Piercy and Ursula K. Le Guin -- Don Delillo's academia: revisiting the new class in White noise. 
520 |a America's post-World War II prosperity created a boom in higher education, expanding the number of university-educated readers and making a new literary politics possible. Writers began to direct their work toward the growing professional class, and the American public in turn became more open to literary culture. This relationship imbued fiction with a new social and cultural import, allowing authors to envision themselves as unique cultural educators. It also changed the nature of literary representation: writers came to depict social reality as a tissue of ideas produced by knowledge elites. Linking literary and historical trends, Stephen Schryer underscores the exalted fantasies that arose from postwar American writers' new sense of their cultural mission. Hoping to transform capitalism from within, writers and critics tried to cultivate aesthetically attuned professionals who could disrupt the narrow materialism of the bourgeoisie. Reading Don DeLillo, Marge Piercy, Mary McCarthy, Saul Bellow, Ursula K. Le Guin, Ralph Ellison, and Lionel Trilling, among others, Schryer unravels the postwar idea of American literature as a vehicle for instruction, while highlighting both the promise and flaws inherent in this vision. 
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650 0 |a American fiction  |y 20th century  |x History and criticism. 
650 0 |a Social classes in literature. 
650 0 |a Professional employees in literature. 
650 0 |a Elite (Social sciences) in literature. 
650 0 |a Professional employees  |z United States  |x History  |y 20th century. 
650 0 |a Literature and society  |z United States  |x History  |y 20th century. 
650 6 |a Roman américain  |y 20e siècle  |x Histoire et critique. 
650 6 |a Classes sociales dans la littérature. 
650 6 |a Élite (Sciences sociales) dans la littérature. 
650 6 |a Professionnels salariés  |z États-Unis  |x Histoire  |y 20e siècle. 
650 6 |a Littérature et société  |z États-Unis  |x Histoire  |y 20e siècle. 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 7 |a American fiction  |2 fast 
650 7 |a Elite (Social sciences) in literature  |2 fast 
650 7 |a Literature and society  |2 fast 
650 7 |a Professional employees  |2 fast 
650 7 |a Professional employees in literature  |2 fast 
650 7 |a Social classes in literature  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
648 7 |a 1900-1999  |2 fast 
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655 7 |a History  |2 fast 
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