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The Principles and Practice of Modal Counterpoint.
Covering modal music from Gregorian chant through the seventeenth century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor & Francis,
2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mu 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn707067531 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n|---||||| | ||
| 008 | 110314s2010 xx o 000 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d MERUC |d OCLCQ |d SGP |d OCLCF |d OCLCQ |d OCLCO | ||
| 020 | |a 9780203846551 | ||
| 020 | |a 0203846559 | ||
| 029 | 1 | |a AU@ |b 000055755396 | |
| 035 | |a (OCoLC)707067531 | ||
| 050 | 4 | |a MT55.G814P75 2011 | |
| 082 | 0 | 4 | |a 781.2/86 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Green, Douglass. | |
| 245 | 1 | 4 | |a The Principles and Practice of Modal Counterpoint. |
| 260 | |a Hoboken : |b Taylor & Francis, |c 2010. | ||
| 300 | |a 1 online resource (329 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a Covering modal music from Gregorian chant through the seventeenth century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire. | ||
| 505 | 0 | |a Book Cover; Title; Copyright; Contents; Foreword; Preface; Chapter 1 Modes and Monophony; Chapter 2 The Single Line; Chapter 3 Counterpoint During the Middle Ages; Chapter 4 First Species in Two Voices; Chapter 5 First Species in Three Voices; Chapter 6 Counterpoint During the Fourteenth Century; Chapter 7 Second Species in Two Voices; Chapter 8 Second Species in Three Voices; Chapter 9 Counterpoint During the Renaissance; Chapter 10 Fourth Species in Two Voices; Chapter 11 Fourth Species in Three Voices; Chapter 12 Texture, Melody, and Meter. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Counterpoint. | |
| 650 | 4 | |a Fine Arts. | |
| 650 | 4 | |a Pharmacy. | |
| 650 | 6 | |a Contrepoint. | |
| 650 | 7 | |a Counterpoint |2 fast | |
| 700 | 1 | |a Jones, Evan. | |
| 776 | 0 | 8 | |i Print version: |a Green, Douglass. |t Principles and Practice of Modal Counterpoint. |d Hoboken : Taylor & Francis, ©2010 |z 9780415878210 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=574491 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL574491 | ||
| 994 | |a 92 |b IZTAP | ||