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|a Mao, Douglas.
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|a Solid Objects :
|b Modernism and the Test of Production.
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|a Princeton :
|b Princeton University Press,
|c 2001.
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|a 1 online resource (321 pages)
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|a In this provocative and wide-ranging study, Douglas Mao argues that a profound tension between veneration of human production and anxiety about production's dangers lay at the heart of literary modernism. Focusing on the work of Virginia Woolf, Wyndham Lewis, Ezra Pound, and Wallace Stevens, Mao shows that modernists were captivated by physical objects, which, regarded as objects, seemed to partake of a utopian serenity beyond the reach of human ideological conflicts. Under a variety of historical pressures, Mao observes, these writers came to revere the making of such things, and especially t.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Modernism (Literature)
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650 |
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|a European literature
|y 20th century
|x History and criticism.
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650 |
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|a Production (Economic theory) in literature.
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650 |
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|a Material culture in literature.
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|a Material culture
|z Europe.
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|a Modernisme (Littérature)
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|a Littérature européenne
|y 20e siècle
|x Histoire et critique.
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|a Production dans la littérature.
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|a Culture matérielle dans la littérature.
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|a Culture matérielle
|z Europe.
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
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|a European literature
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|a Material culture in literature
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650 |
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|a Modernism (Literature)
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650 |
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|a Production (Economic theory) in literature
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651 |
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|a Europe
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|1 https://id.oclc.org/worldcat/entity/E39PBJxCxPbbk4CPJDQJb4r6rq
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|a 1900-1999
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|a Criticism, interpretation, etc.
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|i has work:
|a Solid objects (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG9tGct49rkppYVpRgqD4m
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Mao, Douglas.
|t Solid Objects : Modernism and the Test of Production.
|d Princeton : Princeton University Press, ©2001
|z 9780691059266
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=617303
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