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|a 9781400820658
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|a 781.5/42/097309043
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|a UAMI
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|a Flinn, Caryl.
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|a Strains of Utopia :
|b Gender, Nostalgia, and Hollywood Film Music.
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|a Princeton :
|b Princeton University Press,
|c 2001.
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|a 1 online resource (206 pages)
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|a When Dmitri Tiomkin thanked Johannes Brahms, Johann Strauss, Richard Strauss, and Richard Wagner upon accepting the Academy Award for his score of The High and the Mighty in 1954, he was honoring a romantic style that had characterized Hollywood's golden age of film composition from the mid-1930s to the 1950s. Exploring elements of romanticism in film scores of composers ranging from Erich Korngold to Bernard Herrmann, Caryl Flinn argues that films tended to link music to the sense of an idealized, lost past. Just as the score of Gone with the Wind captured the grandeur of the antebellum South.
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|a Book Cover; Title; Copyright; CONTENTS.
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|a Print version record.
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|a JSTOR
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Motion picture music
|z United States
|x History and criticism.
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|a Film, Musique de
|z États-Unis
|x Histoire et critique.
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Motion picture music
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|a United States
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|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Flinn, Caryl.
|t Strains of Utopia : Gender, Nostalgia, and Hollywood Film Music.
|d Princeton : Princeton University Press, ©2001
|z 9780691006192
|
856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=617263
|z Texto completo
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