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|a Bradford, Richard,
|d 1957-
|1 https://id.oclc.org/worldcat/entity/E39PCjxJr7W7GfTtqjg8KXWpWC
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|a Graphic poetics :
|b poetry as visual art /
|c Richard Bradford.
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|a London ;
|a New York :
|b Continuum International Pub. Group,
|c 2011.
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|a 1 online resource (213 pages)
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|a text
|b txt
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|a Continuum literary studies Graphic poetics
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|a Includes bibliographical references (pages 205-210) and index.
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|a Print version record.
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|a Acknowledgements; Introduction; 1. The Double Pattern; 2. Silent Poetics; 3. Critical Antipathy; 4. The Poet in the Poem; 5. Modernism: Two Versions of Free Verse; 6. Poems as Pictures; 7. The Sliding Scale; 8. The Sliding Scale and Recent Literary History; 9. Conclusion; Notes; Select Bibliography; Index.
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|a Concrete', 'pattern' or 'shaped' poems are well documented as experimental curiosities. While giving some attention to this sub-genre the book shifts the focus to the ways in which visual form manifests itself in 'traditional' verse, examining poems by Milton, Wordsworth, Eliot, Olson, T.E. Hulme, Auden, Williams, Larkin and Charles Tomlinson. It examines how the tactile presence of the poem on the page transcends the routine distinctions between genre and historical context, emerging as a significant but largely unexamined contribution to modernist poetics. The interpretative methodology is r.
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546 |
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|a English.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Poetry and the arts.
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|a Poetics.
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|a Poésie et arts.
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|a Poétique.
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|a POETRY
|x English, Irish, Scottish, Welsh.
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|a Poetry and the arts
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|i has work:
|a Graphic poetics (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCH4tqRgJRD9DCYgcMgHRGb
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|t Graphic Poetics.
|d Continuum Intl Pub Group 2011
|z 9781441123459
|w (OCoLC)657602582
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=655494
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