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The Visual Poetics of Raymond Carver.

The Visual Poetics of Raymond Carver draws on the study of visual arts to illuminate the short stories of noted author Raymond Carver, in the broader context of vision and visualization in a literary text. Ayala Amir examines Carver's use of the eye-of-the-camera technique. Amir uncovers the te...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Amir, Ayala, 1963-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham : Rowman & Littlefield Pub. Group, 2010.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a The Visual Poetics of Raymond Carver; Contents; Works by Raymond Carver; Acknowledgments; Introduction; Part I: MOVEMENT; CHAPTER 1: "I Don't Do Motion Shots"; CHAPTER 2: "Does That Have a Hidden Meaning?"; Part II: THE EYE OF THE CAMERA; CHAPTER 3: "Whoever Was Using This Bed"; CHAPTER 4: "Why Do I Notice That?"; Part III: SEEING AND MEANING; CHAPTER 5: Raymond Carver's "Man in a Case"; CHAPTER 6: Singularity or Doubleness; Conclusion; References; Index; About the Author. 
520 |a The Visual Poetics of Raymond Carver draws on the study of visual arts to illuminate the short stories of noted author Raymond Carver, in the broader context of vision and visualization in a literary text. Ayala Amir examines Carver's use of the eye-of-the-camera technique. Amir uncovers the tensions that structure his visual aesthetics and examines assumptions that govern scholarly discussions of his work, relating these matters to the complex nature of photography and to the current "visual turn"of cultural studies. The research uses visual approaches to reflect upon traditional issues of na. 
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