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Blood Money : a History of the First Teen Slasher Film Cycle.

Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as Black Christmas (1974), Halloween (1978) and Friday the 13th (1980) in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nowell, Richard
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Continuum International Pub. Group, 2010.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Blood Money :  |b a History of the First Teen Slasher Film Cycle. 
260 |a London :  |b Continuum International Pub. Group,  |c 2010. 
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505 0 |a Contents; Acknowledgements; List of Illustrations; Introduction: Co-ed Frenzy; Chapter 1: 'There's more than one way to lose your heart': the teen slasher film-type, production strategies, and film cycle; Chapter 2: A Slay-Ride to Small-Town, U.S.A: the advent of the teen slasher film, Black Christmas (1974) and Halloween (1978); Chapter 3: 'They were warned ... they are doomed': the United States, the development of the teen slasher film, and Friday the 13th (1980); Chapter 4: Murder on the Dance-floor: Canada, the development of the teen slasher film, and Prom Night (1980). 
505 8 |a Chapter 5: The Animal House on Sorority Row: boom and bust, and the establishment of the teen slasher film, 1980-1981Conclusion: Time after time; Appendix; Notes; Bibliography; Index. 
520 |a Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as Black Christmas (1974), Halloween (1978) and Friday the 13th (1980) in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons. However, by examining the commercial logic, strategies and objectives of the American and Canadian independents that produced the films and the companies that distributed them in the US, Blood Money demonstrates that filmmakers and market. 
588 0 |a Print version record. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Slasher films  |z United States  |x History and criticism. 
650 0 |a Slasher films  |z Canada  |x History and criticism. 
650 6 |a Slashers  |x Histoire et critique. 
650 7 |a Slasher films  |2 fast 
651 7 |a Canada  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
655 7 |a Criticism, interpretation, etc.  |2 fast 
758 |i has work:  |a Blood money (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCXJwkDkkjyJGT7MHhd6X4V  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Nowell, Richard.  |t Blood Money : A History of the First Teen Slasher Film Cycle.  |d London : Continuum International Publishing Group, ©2010  |z 9781441124968 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=634569  |z Texto completo 
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