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Maoist model theatre : the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) /
Drawing on theories ranging from cultural studies to sociology, this book offers a new understanding of gender in Maoist model theatre (yangbanxi) that acknowledges the complex interplay of traditional, modern, Chinese and foreign gender ideologies manifested in the works.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden ; Boston :
Brill,
2010.
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| Colección: | Women and gender in China studies ;
v. 2. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- List of Tables; List of Illustrations; Acknowledgements; List of Abbreviations; Chapter One Introduction: Gender and the Model Works; Chapter Two Role Assignment and Gender: Resetting the Paradigms; Chapter Three Costume in the Yangbanxi: Gendering the Revolutionary Body; Chapter Four Gender and the Kinesics of Yangbanxi Ballet; Chapter Five Feminising Leadership in Song of the Dragon River; Chapter Six The Yangbanxi Heroine and the Historical Tradition of the Chinese Woman Warrior; Chapter Seven Gendering the Counter-Revolution: The Feminisation of Villainy.