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Listening to Fellini : music and meaning in black and white /
"For decades scholarship on Federico Fellini has focused on the figure of the director himself, while formal analysis based on the craft of filmmaking has been largely ignored. Fellini spent countless hours in the studios of Cinecitta recording, mixing, and editing music, voices, and sound effe...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Madison [N.J.] :
Fairleigh Dickinson University Press,
©2009.
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| Colección: | Fairleigh Dickinson University Press series in Italian studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 082 | 0 | 4 | |a 791.4302/33092 |2 22 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Van Order, M. Thomas, |d 1961- |1 https://id.oclc.org/worldcat/entity/E39PCjxPFrgJkCPWdXJhx8yw4q | |
| 245 | 1 | 0 | |a Listening to Fellini : |b music and meaning in black and white / |c M. Thomas Van Order. |
| 260 | |a Madison [N.J.] : |b Fairleigh Dickinson University Press, |c ©2009. | ||
| 300 | |a 1 online resource (275 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a The Fairleigh Dickinson University Press series in Italian studies | |
| 504 | |a Includes bibliographical references (pages 269-271) and index. | ||
| 505 | 0 | |a Lo sceicco bianco : an early break with neorealism -- I vitelloni : music and social ritual -- La strada : music and redemption -- Fellini betrayed : the English-language sound track of La strada -- Il bidone : metacinema and the sound track -- Le notti di Cabiria : music and transcendence -- Brecht/Weill, Respighi, and the equivocal tone of La dolce vita -- 8 1/2 : music, self, and other. | |
| 588 | 0 | |a Print version record. | |
| 520 | 1 | |a "For decades scholarship on Federico Fellini has focused on the figure of the director himself, while formal analysis based on the craft of filmmaking has been largely ignored. Fellini spent countless hours in the studios of Cinecitta recording, mixing, and editing music, voices, and sound effects for his films, but his unique and often revolutionary uses of cinematic sound have never been systematically studied. This book reveals the singularly important role played by music in the construction of meaning in Fellini's black-and-white feature-length films, and presents a substantial re-reading of the seven films made during the most creative period of Fellini's artistic development." | |
| 520 | 8 | |a "The editing of music in Fellini's first films represents an entirely new approach to cinematic sound. The sophistication and complexity of Fellini's soundtracks far surpasses the neorealist models that are often assumed to form the practical foundation of Fellini's earliest works, and an analysis of the editing of music in these films reveals extraordinary innovation in the pairing of music and visual image."--Jacket. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Fellini, Federico |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Fellini, Federico |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJwCWPrRRfQWXm7PJwJFKd |
| 600 | 1 | 7 | |a Fellini, Federico. |2 swd |
| 650 | 0 | |a Motion picture music |x History and criticism. | |
| 650 | 6 | |a Film, Musique de |x Histoire et critique. | |
| 650 | 7 | |a Motion picture music |2 fast | |
| 650 | 7 | |a Filmmusik |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Van Order, M. Thomas, 1961- |t Listening to Fellini. |d Madison [N.J.] : Fairleigh Dickinson University Press, ©2009 |w (DLC) 2008022584 |
| 830 | 0 | |a Fairleigh Dickinson University Press series in Italian studies. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3116008 |z Texto completo |
| 938 | |a Internet Archive |b INAR |n listeningtofelli0000vano | ||
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