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Three American poets : Walt Whitman, Emily Dickinson, and Herman Melville /
In this work, the author describes the very different sorts of poetry Whitman, Dickinson, and Melville wrote, their comparable reasons for writing as they did, and the posthumous critical effects of their having done so. By linking these utterly singular poets and their work, verse connected by shar...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Notre Dame, Ind. :
University of Notre Dame Press,
©2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Spengemann, William C. | |
| 245 | 1 | 0 | |a Three American poets : |b Walt Whitman, Emily Dickinson, and Herman Melville / |c William C. Spengemann. |
| 260 | |a Notre Dame, Ind. : |b University of Notre Dame Press, |c ©2010. | ||
| 300 | |a 1 online resource (xv, 226 pages) | ||
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| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | 0 | |t Whitman's Modern song -- |t Sorting with Emily Dickinson -- |t Melville the poet. |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 520 | |a In this work, the author describes the very different sorts of poetry Whitman, Dickinson, and Melville wrote, their comparable reasons for writing as they did, and the posthumous critical effects of their having done so. By linking these utterly singular poets and their work, verse connected by shared qualities of oddity, complexity, and difficulty, he illuminates the poets' efforts to create verse equal to the demands of a changing nineteenth century. All three responded to a widespread sense of loss, loss, above all, of Christian understandings of the origins, nature, and purpose of human existence, both individual and collective. All three, too, regarded poetry as the sole means of dealing with that loss and of comprehending not only a changing world but the old world from which the new one had departed, and hence the connections between the vanished, discredited past, the baffling present, and the as yet inscrutable future. The author suggests that the poetic eccentricities of Whitman, Melville, and Dickinson arose directly from their use of poetry as a vehicle of thought; each devised a poetic language either to attempt to recover a lost sense of assurance threatened by the collapse of traditional faith or to discover an altogether new ground of knowledge and being. He guides us in parsing their respective poetics with readings closely attuned to diction, syntax, meter, and figure. His descriptions of the poets' verse and their respective characteristic aesthetics afford us heightened access to the poems and the pleasures peculiar to them, in the process making us better readers of poetry in general. | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2011. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 546 | |a English. | ||
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| 600 | 1 | 0 | |a Whitman, Walt, |d 1819-1892 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Dickinson, Emily, |d 1830-1886 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Melville, Herman, |d 1819-1891 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Dickinson, Emily, |d 1830-1886 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJhMjdhRdPQDrrvR7JYkjC |
| 600 | 1 | 7 | |a Melville, Herman, |d 1819-1891 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJyWTFdbHmrwM7QCYfRtKd |
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| 650 | 0 | |a American poetry |y 19th century |x History and criticism. | |
| 650 | 0 | |a Modernism (Literature) |z America. | |
| 650 | 6 | |a Poésie américaine |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Modernisme (Littérature) |z Amérique. | |
| 650 | 7 | |a American poetry |2 fast | |
| 650 | 7 | |a Modernism (Literature) |2 fast | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Spengemann, William C. |t Three American poets. |d Notre Dame, Ind. : University of Notre Dame Press, ©2010 |w (DLC) 2010004291 |
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