Cargando…
Post-classical Hollywood : film industry, style and ideology since 1945 /
At the end of World War II, Hollywood basked in unprecedented prosperity. Since then, numerous challenges and crises have changed the American film industry in ways beyond imagination in 1945. Nonetheless, at the start of a new century Hollywood's worldwide dominance is intact - indeed, in toda...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
2010.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn681348480 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 101115s2010 stka ob 001 0 eng d | ||
| 010 | |z 2010530012 | ||
| 040 | |a N$T |b eng |e pn |c N$T |d EBLCP |d CDX |d YDXCP |d E7B |d OCLCQ |d MHW |d IDEBK |d OCLCQ |d JSTOR |d OCLCF |d OCLCQ |d OCLCO |d OCLCQ |d OCL |d OCLCQ |d OCLCO |d AZK |d JBG |d STBDS |d AGLDB |d Z5A |d MOR |d PIFAG |d ZCU |d OCLCQ |d MERUC |d OCLCA |d OCLCQ |d IOG |d U3W |d GRG |d OCLCA |d STF |d WRM |d OCLCQ |d VTS |d ICG |d VT2 |d AU@ |d OCLCQ |d WYU |d LVT |d YOU |d LEAUB |d DKC |d OCLCQ |d M8D |d OCLCQ |d OCLCO |d OCLCQ |d HS0 |d OCLCQ |d SNU |d UKCRE |d UKSSU |d VLY |d LUN |d UKAHL |d YDX |d OCLCQ |d OCLCO |d SFB |d OCLCO |d OCLCQ |d INARC |d OCLCO |d OCLCL |d EZC |d U3G | ||
| 015 | |a GBB028004 |2 bnb | ||
| 016 | 7 | |a 015489567 |2 Uk | |
| 019 | |a 741350803 |a 816618763 |a 958503728 |a 958864389 |a 959426720 |a 961589726 |a 962697990 |a 988490738 |a 991993110 |a 1034903740 |a 1037909875 |a 1038676958 |a 1055375790 |a 1058146509 |a 1065676231 |a 1081231533 |a 1097116427 |a 1148162968 |a 1154973974 |a 1162000726 |a 1167274796 |a 1193066318 |a 1204513322 |a 1228594842 |a 1409370476 | ||
| 020 | |a 9780748643219 |q (electronic bk.) | ||
| 020 | |a 0748643214 |q (electronic bk.) | ||
| 020 | |a 1282899783 | ||
| 020 | |a 9781282899780 | ||
| 020 | |a 9786612899782 | ||
| 020 | |a 6612899786 | ||
| 020 | |z 9780748638574 | ||
| 020 | |z 0748638571 | ||
| 020 | |z 9780748638581 | ||
| 020 | |z 074863858X | ||
| 029 | 1 | |a AU@ |b 000051554883 | |
| 029 | 1 | |a DEBBG |b BV043121976 | |
| 029 | 1 | |a DEBBG |b BV044148209 | |
| 029 | 1 | |a DEBSZ |b 421662107 | |
| 029 | 1 | |a GBVCP |b 1003657672 | |
| 029 | 1 | |a NZ1 |b 15122392 | |
| 029 | 1 | |a AU@ |b 000073072229 | |
| 035 | |a (OCoLC)681348480 |z (OCoLC)741350803 |z (OCoLC)816618763 |z (OCoLC)958503728 |z (OCoLC)958864389 |z (OCoLC)959426720 |z (OCoLC)961589726 |z (OCoLC)962697990 |z (OCoLC)988490738 |z (OCoLC)991993110 |z (OCoLC)1034903740 |z (OCoLC)1037909875 |z (OCoLC)1038676958 |z (OCoLC)1055375790 |z (OCoLC)1058146509 |z (OCoLC)1065676231 |z (OCoLC)1081231533 |z (OCoLC)1097116427 |z (OCoLC)1148162968 |z (OCoLC)1154973974 |z (OCoLC)1162000726 |z (OCoLC)1167274796 |z (OCoLC)1193066318 |z (OCoLC)1204513322 |z (OCoLC)1228594842 |z (OCoLC)1409370476 | ||
| 037 | |a 22573/cttk1tc1 |b JSTOR | ||
| 043 | |a n-us--- |a n-us-ca | ||
| 050 | 4 | |a PN1993.5.U65 |b L36 2010eb | |
| 072 | 7 | |a PER |x 004040 |2 bisacsh | |
| 072 | 7 | |a PER004000 |2 bisacsh | |
| 072 | 7 | |a KNTC, APF |2 bicssc | |
| 082 | 0 | 4 | |a 791.43097309045 |2 22 |
| 084 | |a AP 44983 |2 rvk | ||
| 049 | |a UAMI | ||
| 100 | 1 | |a Langford, Barry, |d 1964- | |
| 245 | 1 | 0 | |a Post-classical Hollywood : |b film industry, style and ideology since 1945 / |c Barry Langford. |
| 260 | |a Edinburgh : |b Edinburgh University Press, |c 2010. | ||
| 300 | |a 1 online resource (xviii, 302 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Copyright; Contents; Illustrations; Acknowledgements; Introduction; PART I Hollywood in Transition 1945-65; Introduction to Part I; Chapter 1 The Autumn of the Patriarchs; The Biggest, the Best: 1946; Chapter 2 The Communication of Ideas; The Biggest, the Best: 1955; Chapter 3 Modernising Hollywood; PART II Crisis and Renaissance 1966-81; Introduction to Part II; The Biggest, the Best: 1965; Chapter 4 The Changing of the Guard; Chapter 5 New Wave Hollywood; The Biggest, The Best: 1975; Chapter 6 Who Lost the Picture Show?; PART III New Hollywood 1982-2006; Introduction to Part III. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a At the end of World War II, Hollywood basked in unprecedented prosperity. Since then, numerous challenges and crises have changed the American film industry in ways beyond imagination in 1945. Nonetheless, at the start of a new century Hollywood's worldwide dominance is intact - indeed, in today's global economy the products of the American entertainment industry (of which movies are now only one part) are more ubiquitous than ever. How does today's 'Hollywood' - absorbed into transnational media conglomerates like NewsCorp., Sony, and Viacom - differ from the legendary studios of Hollywood's Golden Age? What are the dominant frameworks and conventions, the historical contexts and the governing attitudes through which films are made, marketed and consumed today? How have these changed across the last seven decades? And how have these evolving contexts helped shape the form, the style and the content of Hollywood movies, from Singin' in the Rain to Pirates of the Caribbean? Barry Langford explains and interrogates the concept of 'post-classical' Hollywood cinema - its coherence, its historical justification and how it can help or hinder our understanding of Hollywood from the forties to the present. Integrating film history, discussion of movies' social and political dimensions, and analysis of Hollywood's distinctive methods of storytelling, Post-Classical Hollywood charts key critical debates alongside the histories they interpret, while offering its own account of the 'post-classical'. Wide-ranging yet concise, challenging and insightful, Post-Classical Hollywood offers a new perspective on the most enduringly fascinating artform of our age. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 21st century. | |
| 650 | 0 | |a Motion picture industry |z California |z Los Angeles |x History |y 20th century. | |
| 650 | 0 | |a Motion picture industry |z California |z Los Angeles |x History |y 21st century. | |
| 651 | 0 | |a Hollywood (Los Angeles, Calif.) |x History |y 20th century. | |
| 651 | 0 | |a Hollywood (Los Angeles, Calif.) |x History |y 21st century. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 21e siècle. | |
| 650 | 6 | |a Cinéma |x Industrie |z Californie |z Los Angeles |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Industrie |z Californie |z Los Angeles |x Histoire |y 21e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a California |z Los Angeles |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJfWYmJkDYcpGWYVDfWxDq | |
| 651 | 7 | |a California |z Los Angeles |z Hollywood |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJpYCXdfWCCGDF38RTMgKd | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 650 | 7 | |a Filmwirtschaft |2 gnd | |
| 651 | 7 | |a Los Angeles- Hollywood |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 650 | 7 | |a Film. |2 idszbz | |
| 651 | 7 | |a USA. |2 idszbz | |
| 651 | 7 | |a Hollywood. |2 idszbz | |
| 650 | 7 | |a Filmindustrin, USA. |2 sfit | |
| 650 | 7 | |a Hollywood. |2 sfit | |
| 650 | 7 | |a USA. |2 sfit | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a dissertations. |2 aat | |
| 655 | 7 | |a Academic theses. |2 lcgft | |
| 655 | 7 | |a Thèses et écrits académiques. |2 rvmgf | |
| 758 | |i has work: |a Post-classical Hollywood (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGcq4TYbhwh4hrY9m6gGRC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Langford, Barry, 1964- |t Post-classical Hollywood. |d Edinburgh : Edinburgh University Press, 2010 |z 9780748638574 |w (OCoLC)505428067 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=615832 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH24071438 | ||
| 938 | |a Coutts Information Services |b COUT |n 16838703 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL615832 | ||
| 938 | |a ebrary |b EBRY |n ebr10430818 | ||
| 938 | |a EBSCOhost |b EBSC |n 345921 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n 289978 | ||
| 938 | |a Oxford University Press USA |b OUPR |n EDZ0000092837 | ||
| 938 | |a YBP Library Services |b YANK |n 3541507 | ||
| 938 | |a YBP Library Services |b YANK |n 8829550 | ||
| 938 | |a Internet Archive |b INAR |n postclassicalhol0000lang | ||
| 994 | |a 92 |b IZTAP | ||