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Deleuze and film music : building a methodological bridge between film theory and music /
The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK ; Chicago :
Intellect,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- Methodology
- Deleuzian sensation and Maurice Jaubert's score for L'Atalante
- The division of the one: Leonard Rosenman and the score for East of Eden
- Dmitri Shostakovich's score for Kozintsev's Hamlet
- Fragments of a life: becoming-music/woman In Kryzysztof Kieslowski's Blue
- The changing conception of space as a delineator In film score style: a comparative analysis of the scores for Things to come and Scott of the Antarctic
- Conclusion
- References
- Corpus of films
- Films cited in text.