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Cross-rhythms : jazz aesthetics in African-American literature /
Cross-Rhythms investigates the literary uses and effects of blues and jazz in African-American literature of the twentieth century. Texts by James Baldwin, Ralph Ellison, Langston Hughes, Zora Neale Hurston, Gayl Jones, Toni Morrison and Ishmael Reed variously adopt or are consciously informed by a...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Continuum,
©2008.
|
| Colección: | Continuum literary studies.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Omry, Keren. | |
| 245 | 1 | 0 | |a Cross-rhythms : |b jazz aesthetics in African-American literature / |c Keren Omry. |
| 260 | |a London ; |a New York : |b Continuum, |c ©2008. | ||
| 300 | |a 1 online resource (189 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Continuum literary studies series | |
| 504 | |a Includes bibliographical references (pages 178-184) and index. | ||
| 505 | 0 | |a Blues notes : a discourse of race in the poetry of Langston Hughes, in Their eyes were watching God, by Zora Neale Hurston, and in Corregidora, by Gayl Jones -- Bebop spoken here : performativity in Ralph Ellison, James Baldwin, and Toni Morrison -- Modes of experience : modal jazz and the authority of experience in Ishmael Reed's Mumbo jumbo, Toni Morrison's The bluest eye and Song of Solomon -- Free jazz : postracialism and collectivity in Toni Morrison's 'Recitatif' and Paradise. | |
| 520 | |a Cross-Rhythms investigates the literary uses and effects of blues and jazz in African-American literature of the twentieth century. Texts by James Baldwin, Ralph Ellison, Langston Hughes, Zora Neale Hurston, Gayl Jones, Toni Morrison and Ishmael Reed variously adopt or are consciously informed by a jazz aesthetic; this aesthetic becomes part of a strategy of ethnic identification and provides a medium with which to consider the legacy of trauma in African-American history. These diverse writers are all thoroughly immersed in a socio-cultural context and a literary aesthetic that embodies shift. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a American literature |x African American authors |x History and criticism. | |
| 650 | 0 | |a Jazz |x Philosophy and aesthetics. | |
| 650 | 0 | |a Jazz in literature. | |
| 650 | 0 | |a American literature |y 20th century |x History and criticism. | |
| 650 | 6 | |a Jazz |x Philosophie et esthétique. | |
| 650 | 6 | |a Jazz dans la littérature. | |
| 650 | 6 | |a Littérature américaine |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 7 | |a American literature |2 fast | |
| 650 | 7 | |a American literature |x African American authors |2 fast | |
| 650 | 7 | |a Jazz in literature |2 fast | |
| 650 | 7 | |a Jazz |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Literatur |2 gnd | |
| 650 | 7 | |a Jazz |g Motiv |2 gnd | |
| 651 | 7 | |a Schwärze |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 650 | 7 | |a Literature. |2 ukslc | |
| 650 | 7 | |a American literature |x African American authors |x History and criticism. |2 nli | |
| 650 | 7 | |a Jazz |x History and criticism. |2 nli | |
| 650 | 7 | |a Jazz in literature. |2 nli | |
| 650 | 7 | |a American literature |y 20th century |x History and criticism. |2 nli | |
| 650 | 7 | |a Amerikansk litteratur |x historia |y 1900-talet. |2 sao | |
| 650 | 7 | |a Amerikansk litteratur |x afro-amerikanska författare |x historia. |2 sao | |
| 650 | 7 | |a Jazz |x teori, filosofi. |2 sao | |
| 650 | 7 | |a Jazz i litteraturen. |2 sao | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Cross-rhythms (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFY4Y3Vmw67q34y3v4D44q |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Omry, Keren. |t Cross-rhythms. |d London ; New York : Continuum, ©2008 |z 9780826497437 |w (DLC) 2009275471 |w (OCoLC)253226214 |
| 830 | 0 | |a Continuum literary studies. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=601898 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL601898 | ||
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| 938 | |a EBSCOhost |b EBSC |n 344361 | ||
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