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Situating Opera : Period, Genre, Reception.

Elegantly and engagingly written, this study demonstrates how opera has communicated with its diverse audiences over time.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lindenberger, Herbert, 1929-2018
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden : Cambridge University Press, 2010.
Colección:Cambridge studies in opera.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Situating Opera :  |b Period, Genre, Reception. 
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490 1 |a Cambridge studies in opera 
505 0 |a Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; Prologue; 1 Anatomy of a warhorse Il trovatore from A to Z; 2 On opera and society (assuming a relationship); 3 Opera and the novel antithetical or complementary?; 4 Opera by other means; 5 Opera and/as lyric; 6 From separatism to union aesthetic theorizing from Reynolds to Wagner; 7 Toward a characterization of modernist opera; 8 Anti-theatricality in twentieth-century opera; 9 A brief consumers' history of opera; Epilogue; Works cited; Index. 
520 |a Elegantly and engagingly written, this study demonstrates how opera has communicated with its diverse audiences over time. 
588 0 |a Print version record. 
504 |a Includes bibliographical references and index. 
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650 0 |a Opera. 
650 0 |a Opera  |x Social aspects. 
650 0 |a Operas  |x Literary themes, motives. 
650 6 |a Opéras  |x Thèmes, motifs littéraires. 
650 7 |a Opera  |2 fast 
650 7 |a Opera  |x Social aspects  |2 fast 
650 7 |a Operas  |x Literary themes, motives  |2 fast 
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830 0 |a Cambridge studies in opera. 
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