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|a Campbell, Russell.
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|a Marked women :
|b prostitutes and prostitution in the cinema /
|c Russell Campbell.
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|a Madison, Wis. :
|b University of Wisconsin Press,
|c ©2006.
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|a 1 online resource (xiv, 450 pages) :
|b illustrations
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|a text
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|a Wisconsin film studies
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|a Includes bibliographical references (pages 391-425) and index.
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|a The Sex Trade and the Cinema -- Depicting Prostitution Under Patriarchy -- Gigolette -- Siren -- Comrade -- Avenger -- Martyr -- Golddigger -- Nursemaid -- Captive -- Business Woman -- Happy Hooker -- Adventuress -- Junkie -- Baby Doll -- Working Girl -- The Love Story -- Prostitute and Pimp -- Condemned to Death -- The Paradigm and Its Challengers.
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|a Julia Roberts played a prostitute, famously, in Pretty Woman. So did Jodie Foster in Taxi Driver, Jane Fonda in Klute, Anna Karina in Vivre sa vie, Greta Garbo in Anna Christie, and Charlize Theron, who won an Academy Award for Monster. This engaging and generously illustrated study explores the depiction of female prostitute characters and prostitution in world cinema, from the silent era to the present-day industry. From the woman with control over her own destiny to the woman who cannot get away from her pimp, Russell Campbell shows the diverse representations of prostitutes in film. Marked Women classifies fifteen recurrent character types and three common narratives, many of them with their roots in male fantasy. The "Happy Hooker," for example, is the liberated woman whose only goal is to give as much pleasure as she receives, while the "Avenger," a nightmare of the male imagination, represents the threat of women taking retribution for all the oppression they have suffered at the hands of men. The "Love Story," a common narrative, represents the prostitute as both heroine and anti-heroine, while "Condemned to Death" allows men to manifest, in imagination only, their hostility toward women by killing off the troubled prostitute in an act of cathartic violence. The figure of the woman whose body is available at a price has fascinated and intrigued filmmakers and filmgoers since the very beginning of cinema, but the manner of representation has also been highly conflicted and fiercely contested. Campbell explores the cinematic prostitute as a figure shaped by both reactionary thought and feminist challenges to the norm, demonstrating how the film industry itself is split by fascinating contradictions
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|a Print version record.
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506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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546 |
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|a English.
|
590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
|
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|a Prostitutes in motion pictures.
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650 |
|
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|a Prostituées au cinéma.
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7 |
|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a Prostitutes in motion pictures
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|a Prostitution
|g Motiv
|2 gnd
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|a Film
|2 gnd
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758 |
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|i has work:
|a Marked women (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFt4D3DckqcPg7wvWyGgyq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
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|i Print version:
|a Campbell, Russell.
|t Marked women.
|d Madison, Wis. : University of Wisconsin Press, ©2006
|z 9780299212544
|w (DLC) 2005008259
|w (OCoLC)58789038
|
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|
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|a Wisconsin film studies.
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3445103
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