Pink pirates : contemporary American women writers and copyright /

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Today, copyright is everywhere, surrounded by a thicket of no-trespassing signs that mark creative work as private property. Caren Irr's Pink Pirates asks how contemporary novelists-represented by Ursula Le Guin, Andrea Barrett, Kathy Acker, and Leslie Marmon Silko-have read those signs, arguin...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Irr, Caren
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Iowa City : University of Iowa Press, ©2010.
Temas:
1900-1999
American fiction > Women authors > History and criticism.
American fiction > 20th century > History and criticism.
Intellectual property in literature.
Piracy (Copyright) > United States > History > 20th century.
Law and literature > United States > History > 20th century.
Feminism and literature > United States > History > 20th century.
Roman américain > 20e siècle > Histoire et critique.
Propriété intellectuelle dans la littérature.
Piratage (Droit d'auteur) > États-Unis > Histoire > 20e siècle.
Droit et littérature > États-Unis > Histoire > 20e siècle.
LITERARY CRITICISM > American > General.
LITERARY CRITICISM > Women Authors.
American fiction
American fiction > Women authors
Feminism and literature
Intellectual property in literature
Law and literature
Piracy (Copyright)
United States
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: the problem of copyright
  • A feminist history of copyright: 1710 to 2010
  • The maternal commons: Reyher, Kroeber, and Le Guin
  • Appropriating Inuit fashions: from Donna Karan to the scientific fictions of Andrea Barrett
  • Obscenity versus freedom of speech: the outside of ownership in Kathy Acker's Pussy, king of the pirates
  • Transracial parody: 2 live crew meets Leslie Marmon Silko
  • Conclusion: toward a pink commons.

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