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|a 809.29384
|2 22
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|a UAMI
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|a Selfhood on the early modern English stage /
|c edited by Pauline Blanc.
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260 |
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|a Newcastle :
|b Cambridge Scholars,
|c 2008.
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|a 1 online resource (213 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references.
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|a pt. 1. Selfhood in its emergent stages -- pt. 2. Selfhood : a cultural and literary construct -- pt. 3. Selfhood and Hamlet -- pt. 4. Selfhood and signature -- pt. 5. Selfhood and royal affiliation.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a The twelve essays in Selfhood on the Early Modern English Stage analyse the influences that shaped the fictional constructs that inhabited the drama of the early modern period. The contributors, all specialists in the field working in France and England, offer a wide spectrum of views and discuss a variety of dramatic texts ranging from late medieval cycle plays and interludes of the Tudor period, to plays by Marlowe, Shakespeare, Tourneur and Jonson. The early modern stage self emerges out o ...
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546 |
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|a English.
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1 |
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|a Legal Deposit;
|c Only available on premises controlled by the deposit library and to one user at any one time;
|e The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
|5 WlAbNL
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540 |
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|a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
|5 WlAbNL
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Self in literature
|v Congresses.
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650 |
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|a Drama
|x History and criticism
|v Congresses.
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|a Moi (Psychologie) dans la littérature
|v Congrès.
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650 |
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|a Théâtre (Genre littéraire)
|x Histoire et critique
|v Congrès.
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650 |
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|a Theatre studies.
|2 bicssc
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650 |
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|a Literary studies: plays & playwrights.
|2 bicssc
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|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
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|a Drama
|2 fast
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|a Self in literature
|2 fast
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|a Drama
|2 gnd
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|a Frühneuenglisch
|2 gnd
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|a Englisch
|2 gnd
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7 |
|a Identität
|g Motiv
|2 gnd
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|a Renaissance
|2 gnd
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650 |
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|a Subjektivität
|2 gnd
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655 |
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|a Conference papers and proceedings
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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700 |
1 |
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|a Blanc, Pauline.
|
758 |
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|i has work:
|a Selfhood on the early modern english stage (Text)
|1 https://id.oclc.org/worldcat/entity/E39PD344c7qvKQ9D9hBwrkdTVC
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
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|i Print version:
|t Selfhood on the early modern English stage.
|d Newcastle : Cambridge Scholars, 2008
|z 9781847184511
|w (DLC) 2008426474
|w (OCoLC)191245140
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