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|b S36 2009
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|a 771.531.3(410.5)
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|a 791.4309411
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|a UAMI
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|a Scottish cinema now /
|c edited by Jonathan Murray, Fidelma Farley and Rod Stoneman.
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|a Newcastle upon Tyne :
|b Cambridge Scholars,
|c 2009.
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|a 1 online resource (xiii, 244 pages)
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|a text
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|a Includes bibliographical references.
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|a TABLE OF CONTENTS; EDITORS' INTRODUCTION; ACKNOWLEDGEMENTS; DEMONS IN THE MACHINE; REEL 2 REAL CACOPHONY; SCOTCH MYTHS, SCOTTISH FILM CULTURE AND THE SUPPRESSION OF LUDIC MODERNISM; NOSTOPHOBIA; THEY KNOW WHERE THEY'RE GOING; 'BONNIE SCOTLAND, EH?'; SCOTLAND'S OTHER KINGDOMS; ADMITTING THE KAILYARD; NEW SCOTTISH CINEMA AS TRANS-NATIONAL CINEMA; SCREENING SCOTLAND; NOT MADE IN SCOTLAND; CHASING CROSSOVER; WHAT'S THE POINT OF FILM SCHOOL, OR, WHAT DID BEACONS FIELD STUDIOS EVER DO FOR THE SCOTTISH FILM INDUSTRY?; SHAPE-SHIFTERS; LIST OF CONTRIBUTORS.
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|a 'Cinema From Scotland' has attained an unprecedented international profile in the decade or so since 'Shallow Grave' (1995) and 'Trainspotting' (1996) impinged on the consciousness of audiences and critics around the world.
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|a Motion pictures
|z Scotland.
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|a Motion picture industry
|z Scotland.
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|a Cinéma
|x Industrie
|z Écosse.
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|a Cinéma
|z Écosse.
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650 |
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|a Films, cinema.
|2 bicssc
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|a Film theory & criticism.
|2 bicssc
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|a Cinema industry.
|2 bicssc
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Motion picture industry
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|a Motion pictures
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|a Scotland
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|1 https://id.oclc.org/worldcat/entity/E39QbtfRx4M4xHbtFTRj7p6BmM
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|a Schottland
|2 gnd
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|a Film
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|a Murray, Jonathan,
|d 1973-
|1 https://id.oclc.org/worldcat/entity/E39PCjwRPx64VwvcdkJwqtP98P
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|a Farley, Fidelma.
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|a Stoneman, Rod.
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|i Print version:
|t Scottish cinema now.
|d Newcastle upon Tyne : Cambridge Scholars, 2009
|z 9781443803311
|w (DLC) 2009437806
|w (OCoLC)310156650
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1114153
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