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Nationalists, cosmopolitans, and popular music in Zimbabwe /

Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early R...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Turino, Thomas
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicago : University of Chicago Press, ©2000.
Colección:Chicago studies in ethnomusicology.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Nationalists, cosmopolitans, and popular music in Zimbabwe /  |c Thomas Turino. 
260 |a Chicago :  |b University of Chicago Press,  |c ©2000. 
300 |a 1 online resource (x, 401 pages) :  |b illustrations 
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380 |a Discography 
490 1 |a Chicago studies in ethnomusicology 
504 |a Includes bibliographical references (pages 377-389), discography (p. 391-392) , and index. 
588 0 |a Print version record. 
505 0 |a Acknowledgments -- Part One: Critical Foundations -- Introduction -- 1. Social Identities and Indigenous Musical Practices -- Part Two: Colonialism and the Rise of Urban Popular Music -- 2. Indigenous Music and Dance in Mbare Township, 1930-1960 -- 3. The Settler-State and Indigenous Music during the Federation Years -- 4. The African Middle Class: Concerts, Cultural Discourse, and All That Jazz -- Part Three: Musical Nationalism -- 5. Music, Emotion, and Cultural Nationalism, 1958-1963 -- 6. Musical Nationalism and Chimurenga Songs of the 1970s. 
505 8 |a Part Four: Guitar Bands and Cosmopolitan Youth Culture -- 7. On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s -- 8. Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands -- Part Five: Globalization Begins at Home -- 9. Nationalism, Cosmopolitanism, and Popular Music after 1980 -- Notes -- References and Bibliography -- Discography -- Index -- A gallery of photographs. 
546 |a English. 
520 |a Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music. 
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650 0 |a Popular music  |z Zimbabwe  |x History and criticism. 
650 0 |a Music  |x Social aspects  |z Zimbabwe. 
650 6 |a Musique populaire  |z Zimbabwe  |x Histoire et critique. 
650 6 |a Musique  |x Aspect social  |z Zimbabwe. 
650 7 |a MUSIC  |x Genres & Styles  |x International.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x Pop Vocal.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x New Age.  |2 bisacsh 
650 7 |a Music  |x Social aspects  |2 fast 
650 7 |a Popular music  |2 fast 
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651 7 |a Simbabwe  |2 gnd 
650 1 7 |a Populaire muziek.  |2 gtt 
650 1 7 |a Nationalisme.  |2 gtt 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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