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When machines play Chopin : musical spirit and automation in nineteenth-century German literature /

WhenMachines Play Chopin brings together music aesthetics, performance practices, and the history of automated musical instruments in nineteenth-century German literature. Philosophers defined music as a direct expression of human emotion while soloists competed with one another to display machine-l...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hirt, Katherine Maree
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berlin ; New York : Walter de Gruyter, ©2010.
Colección:Interdisciplinary German cultural studies ; v. 8.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hirt, Katherine Maree. 
245 1 0 |a When machines play Chopin :  |b musical spirit and automation in nineteenth-century German literature /  |c Katherine Hirt. 
260 |a Berlin ;  |a New York :  |b Walter de Gruyter,  |c ©2010. 
300 |a 1 online resource (170 pages) 
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490 1 |a Interdisciplinary German cultural studies,  |x 1861-8030 ;  |v v. 8 
504 |a Includes bibliographical references and index. 
505 0 |a Towards autonomy : imitation and expression at the turn of the nineteenth century -- E.T.A. Hoffmann's aesthetics of music and musical machines in "The Automata," "The Sandman" and music reviews -- Schopenhauer and Hanslick : toward a definition of instrumental music as an autonomous art -- Virtuosity and the experience of listening in Heinrich Heine's music criticism and "Florentine nights" -- Rilke's phonograph : the "talking machine" and imagined sound. 
588 0 |a Print version record. 
520 |a WhenMachines Play Chopin brings together music aesthetics, performance practices, and the history of automated musical instruments in nineteenth-century German literature. Philosophers defined music as a direct expression of human emotion while soloists competed with one another to display machine-like technical perfection at their instruments. WhenMachines Play Chopin looks at this paradox between thinking about and practicing music to show what three literary works say about automation and the sublime in art. 
546 |a In English. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a German literature  |y 19th century  |x History and criticism. 
650 0 |a Musical instruments in literature. 
650 0 |a Music in literature. 
650 0 |a Music and literature  |z Germany  |x History  |y 19th century. 
650 6 |a Littérature allemande  |y 19e siècle  |x Histoire et critique. 
650 6 |a Instruments de musique dans la littérature. 
650 6 |a Musique dans la littérature. 
650 6 |a Musique et littérature  |z Allemagne  |x Histoire  |y 19e siècle. 
650 7 |a LITERARY CRITICISM  |x European  |x German.  |2 bisacsh 
650 7 |a German literature  |2 fast 
650 7 |a Music and literature  |2 fast 
650 7 |a Music in literature  |2 fast 
650 7 |a Musical instruments in literature  |2 fast 
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648 7 |a 1800-1899  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
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776 0 8 |i Print version:  |a Hirt, Katherine Maree.  |t When machines play Chopin.  |d Berlin ; New York : Walter de Gruyter, ©2010  |z 9783110232394  |w (DLC) 2010013654  |w (OCoLC)606053798 
830 0 |a Interdisciplinary German cultural studies ;  |v v. 8. 
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