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The cultural politics of slam poetry : race, identity, and the performance of popular verse in America /

"The cultural phenomenon known as slam poetry was born some twenty years ago in white working-class Chicago barrooms. Since then, the raucous competitions have spread internationally, launching a number of annual tournaments, inspiring a generation of young poets, and spawning a commercial empi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Somers-Willett, Susan B. A., 1973-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, ©2009.
Colección:Anthropology series.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The cultural politics of slam poetry :  |b race, identity, and the performance of popular verse in America /  |c Susan B.A. Somers-Willett. 
260 |a Ann Arbor :  |b University of Michigan Press,  |c ©2009. 
300 |a 1 online resource (xi, 191 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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380 |a Bibliography 
490 1 |a Anthropology series 
504 |a Includes bibliographical references (pages 169-178) and index. 
505 0 |a On page and stage: slam poetry as a genre -- Poetry and the people: the cultural tensions of American popular verse in performance -- I sing the body authentic: slam poetry and the cultural politics of performing identity -- "Commercial niggas like me": spoken word poetry, hip-hop, and the racial politics of going mainstream. 
520 |a "The cultural phenomenon known as slam poetry was born some twenty years ago in white working-class Chicago barrooms. Since then, the raucous competitions have spread internationally, launching a number of annual tournaments, inspiring a generation of young poets, and spawning a commercial empire in which poetry and hip-hop merge. The Cultural Politics of Slam Poetry is the first critical book to take an in-depth look at slam, shedding light on the relationships that slam poets build with their audiences through race and identity performance and revealing how poets come to celebrate (and at times exploit) the politics of difference in American culture. With a special focus on African American poets, Susan B.A. Somers-Willett explores the pros and cons of identity representation in the commercial arena of spoken word poetry and, in doing so, situates slam within a history of verse performance, from blackface minstrelsy to Def Poetry."--Book cover. 
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650 0 |a Performance poetry  |z United States  |x History and criticism. 
650 0 |a American poetry  |y 20th century  |x History and criticism. 
650 0 |a Race in literature. 
650 0 |a Identity (Psychology) in literature. 
650 0 |a Oral interpretation of poetry. 
650 0 |a Poetry slams  |z United States  |x History. 
650 0 |a Poetry  |x Political aspects  |z United States. 
650 6 |a Poésie-performance  |z États-Unis  |x Histoire et critique. 
650 6 |a Poésie américaine  |y 20e siècle  |x Histoire et critique. 
650 6 |a Race dans la littérature. 
650 6 |a Identité (Psychologie) dans la littérature. 
650 6 |a Poésie  |x Lecture publique. 
650 6 |a Slam  |z États-Unis  |x Histoire. 
650 6 |a Poésie  |x Aspect politique  |z États-Unis. 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Communication Studies.  |2 bisacsh 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Speech.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x History & Criticism.  |2 bisacsh 
650 7 |a American poetry  |2 fast 
650 7 |a Identity (Psychology) in literature  |2 fast 
650 7 |a Oral interpretation of poetry  |2 fast 
650 7 |a Performance poetry  |2 fast 
650 7 |a Poetry  |x Political aspects  |2 fast 
650 7 |a Poetry slams  |2 fast 
650 7 |a Race in literature  |2 fast 
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