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|a Allen, Richard,
|d 1959-
|1 https://id.oclc.org/worldcat/entity/E39PBJyGYhbMrx6QckDc4txCcP
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245 |
1 |
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|a Hitchcock's romantic irony /
|c Richard Allen.
|
260 |
|
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|a New York :
|b Columbia University Press,
|c ©2007.
|
300 |
|
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|a 1 online resource (xxi, 295 pages, 14 unnumbered pages of plates) :
|b illustrations (some color).
|
336 |
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|a text
|b txt
|2 rdacontent
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|a computer
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|a text file
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|a Film and culture series
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|a Includes bibliographical references (pages 261-279) and index.
|
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|a Print version record.
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|t Preface --
|t Acknowledgments --
|g pt. 1.
|t Narrative form --
|g 1.
|t Romantic irony --
|g 2.
|t Suspense --
|g 3.
|t Knowledge and sexual difference --
|g pt. 2.
|t Visual style --
|g 4.
|t Sexuality and style --
|g 5.
|t Expressionism --
|g 6.
|t Color design --
|t Conclusion --
|t Notes --
|t Index.
|
506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2011.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2011
|h HathiTrust Digital Library
|l committed to preserve
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520 |
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|a Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.
|
546 |
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|a In English.
|
590 |
|
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
590 |
|
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
600 |
1 |
0 |
|a Hitchcock, Alfred,
|d 1899-1980
|x Criticism and interpretation.
|
600 |
1 |
7 |
|a Hitchcock, Alfred,
|d 1899-1980
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq
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600 |
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|a Hitchcock, Alfred.
|2 swd
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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|
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|a Romantische Ironie
|2 gnd
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1 |
7 |
|a Filmkunst.
|2 gtt
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1 |
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|a Filmtheorie.
|2 gtt
|
650 |
1 |
7 |
|a Genres.
|2 gtt
|
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|
7 |
|a Filmregissörer.
|2 sao
|
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|
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|a Regissörer.
|2 sfit
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
758 |
|
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|i has work:
|a Hitchcock's romantic irony (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGjKfBBpMVJD6MQcRpPxXd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Allen, Richard, 1959-
|t Hitchcock's romantic irony.
|d New York : Columbia University Press, ©2007
|z 9780231135740
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|w (OCoLC)105465317
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