Cargando…
Clint Eastwood and issues of American masculinity /
"In this book, a major feminist philosopher engages the work of the actor and director who has progressed from being the stereotypical "man's man" to pushing the boundaries of the very genres--the Western, the police thriller, the war, or boxing movie--most associated with Americ...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press,
2009.
©2009 |
| Edición: | 1st ed. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ma 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn647876511 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 090123t20092009nyu obq 001 0 eng d | ||
| 010 | |z 2009002461 | ||
| 040 | |a E7B |b eng |e pn |c E7B |d OCLCQ |d YDXCP |d OCLCQ |d EBLCP |d MHW |d OCLCQ |d P@U |d ZMC |d OCLCQ |d OCLCF |d OCLCO |d OCLCQ |d PUBRW |d OCLCQ |d JSTOR |d COO |d AU@ |d OCLCQ |d YDX |d AZK |d STBDS |d MOR |d PIFAG |d ZCU |d MERUC |d OCLCQ |d IOG |d OCLCO |d U3W |d EZ9 |d STF |d WRM |d COCUF |d NRAMU |d ICG |d TXC |d INT |d VT2 |d OCLCQ |d OCLCO |d LVT |d YOU |d TKN |d OCLCQ |d OCLCO |d LEAUB |d DKC |d OCLCQ |d OCLCO |d HS0 |d UWK |d OCLCQ |d YKC |d ESU |d SNU |d UK7LJ |d INARC |d OCLCQ |d SFB |d VHC |d XII |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 551122728 |a 551146094 |a 827887297 |a 888948676 |a 957135640 |a 961550357 |a 962563305 |a 1087361972 |a 1109349061 |a 1110239347 |a 1126079788 |a 1154984949 |a 1156187095 |a 1162310335 |a 1290034887 |a 1303457820 | ||
| 020 | |a 9780823235124 |q (electronic bk.) | ||
| 020 | |a 0823235122 |q (electronic bk.) | ||
| 020 | |a 0823230147 |q (electronic bk.) | ||
| 020 | |a 9780823230143 |q (electronic bk.) | ||
| 020 | |a 9780823246830 |q (electronic bk.) | ||
| 020 | |a 0823246833 |q (electronic bk.) | ||
| 020 | |z 9780823230129 |q (cloth ; |q alk. paper) | ||
| 020 | |z 0823230120 |q (cloth ; |q alk. paper) | ||
| 020 | |z 9780823230136 |q (pbk. ; |q alk. paper) | ||
| 020 | |z 0823230139 |q (pbk. ; |q alk. paper) | ||
| 029 | 1 | |a AU@ |b 000050233374 | |
| 029 | 1 | |a AU@ |b 000053259267 | |
| 029 | 1 | |a AU@ |b 000054174393 | |
| 029 | 1 | |a DEBBG |b BV044098629 | |
| 029 | 1 | |a GBVCP |b 1003640303 | |
| 029 | 1 | |a NZ1 |b 13448727 | |
| 035 | |a (OCoLC)647876511 |z (OCoLC)551122728 |z (OCoLC)551146094 |z (OCoLC)827887297 |z (OCoLC)888948676 |z (OCoLC)957135640 |z (OCoLC)961550357 |z (OCoLC)962563305 |z (OCoLC)1087361972 |z (OCoLC)1109349061 |z (OCoLC)1110239347 |z (OCoLC)1126079788 |z (OCoLC)1154984949 |z (OCoLC)1156187095 |z (OCoLC)1162310335 |z (OCoLC)1290034887 |z (OCoLC)1303457820 | ||
| 037 | |a 22573/ctt132jmv1 |b JSTOR | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a PN1998.3.E325 |b C67 2009eb | |
| 072 | 7 | |a LIT003000 |2 bisacsh | |
| 082 | 0 | 4 | |a 791.4302/33092 |2 22 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Cornell, Drucilla, |e author. | |
| 245 | 1 | 0 | |a Clint Eastwood and issues of American masculinity / |c Drucilla Cornell. |
| 250 | |a 1st ed. | ||
| 260 | |a New York : |b Fordham University Press, |c 2009. | ||
| 264 | 4 | |c ©2009 | |
| 300 | |a 1 online resource (xiv, 216 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 380 | |a Filmography | ||
| 504 | |a Includes bibliographical references (pages 191-201) and index. | ||
| 504 | |a Includes filmography (pages 203-204). | ||
| 505 | 0 | 0 | |g Introduction: Shooting Eastwood. Writing the showdown: what's left behind when the sun goes down -- |t Dancing with the double: reaching out from the darkness within -- |t Ties that bind: the legacy of a mother's love -- |t Psychic scars: transformative relationships and moral repair -- |t Parables of revenge and masculinity in Mystic river / |r Roger Berkowitz and Drucilla Cornell -- |t Militarized manhood: shattered images and the trauma of war -- |t Shades of recognition: privilege, dignity, and the hubris of white masculinity -- |g Conclusion: The last take. |
| 520 | |a "In this book, a major feminist philosopher engages the work of the actor and director who has progressed from being the stereotypical "man's man" to pushing the boundaries of the very genres--the Western, the police thriller, the war, or boxing movie--most associated with American masculinity. Her highly appreciative encounter with the films directed by Clint Eastwood revolve around the questions "What is it to be a good man?" and "What is it to be, not just an ethical person, but specifically an ethical man?" Focusing on Eastwood as a director rather than as an actor or cultural icon, she studies Eastwood in relation to major philosophical and ethical themes that have been articulated in her own life's work. In her fresh and revealing readings of the films, the author takes up pressing issues of masculinity as it is caught up in the very definition of ideas of revenge, violence, moral repair, and justice. Eastwood grapples with this involvement of masculinity in and through many of the great symbols of American life, including cowboys, boxing, police dramas, and ultimately war--perhaps the single greatest symbol of what it means (or is supposed to mean) to be a man. The author discusses films from across Eastwood's career, from his directorial debut with Play Misty for Me to Million Dollar Baby. Her book is not a traditional book of film criticism or a cinematographic biography. Rather, it is a work of social commentary and ethical philosophy. In a world in which we seem to be losing our grip on shared symbols, along with community itself, Eastwood's films work with the fragmented symbols that remain to us in order to engage masculinity with the most profound moral and ethical issues facing us today."--Publisher's abstract | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Eastwood, Clint, |d 1930- |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Eastwood, Clint, |d 1930- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Eastwood, Clint, |d 1930- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJw8VPq9vTPq9R6yf4JRrq |
| 650 | 0 | |a Masculinity in motion pictures. | |
| 650 | 6 | |a Masculinité au cinéma. | |
| 650 | 7 | |a LITERARY CRITICISM |x Feminist. |2 bisacsh | |
| 650 | 7 | |a Masculinity in motion pictures |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Clint Eastwood and issues of American masculinity (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH63873Q8Cd6YwqxDVhQHK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Cornell, Drucilla. |t Clint Eastwood and issues of American masculinity. |b 1st ed. |d New York : Fordham University Press, 2009 |w (DLC) 2009002461 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3239489 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL476647 | ||
| 938 | |a ebrary |b EBRY |n ebr10365109 | ||
| 938 | |a Internet Archive |b INAR |n clinteastwoodiss0000corn | ||
| 938 | |a Project MUSE |b MUSE |n muse14900 | ||
| 938 | |a Oxford University Press USA |b OUPR |n EDZ0000021252 | ||
| 938 | |a Publisher Row |b PUBR |n 15906 | ||
| 938 | |a YBP Library Services |b YANK |n 7618168 | ||
| 938 | |a YBP Library Services |b YANK |n 3170782 | ||
| 938 | |a YBP Library Services |b YANK |n 12380744 | ||
| 994 | |a 92 |b IZTAP | ||