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Andy Warhol and the can that sold the world /
From the Publisher: In the summer of 1962, Andy Warhol unveiled 32 Soup Cans in his first solo exhibition at the Ferus Gallery in Los Angeles-and sent the art world reeling. The responses ran from incredulity to outrage; the poet Taylor Mead described the exhibition as "a brilliant slap in the...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Basic Books, a member of the Perseus Books Group,
2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Indiana, Gary. | |
| 245 | 1 | 0 | |a Andy Warhol and the can that sold the world / |c Gary Indiana. |
| 260 | |a New York, NY : |b Basic Books, a member of the Perseus Books Group, |c 2010. | ||
| 300 | |a 1 online resource (xv, 175 pages) | ||
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| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Preface -- Part 1: Abjection And Epiphany -- 1: Boy on the hill -- 2: Leap of fate -- 3: Pop art: surf's up! -- Part 2: Figment -- 4: Inside anarchy's rising tide -- 5: Mass production -- 6: That one painting -- 7: Portrait of the image as "important" artist -- Acknowledgments -- Notes -- Index. | |
| 520 | |a From the Publisher: In the summer of 1962, Andy Warhol unveiled 32 Soup Cans in his first solo exhibition at the Ferus Gallery in Los Angeles-and sent the art world reeling. The responses ran from incredulity to outrage; the poet Taylor Mead described the exhibition as "a brilliant slap in the face to America." The exhibition put Warhol on the map-and transformed American culture forever. Almost single-handedly, Warhol collapsed the centuries-old distinction between "high" and "low" culture, and created a new and radically modern aesthetic. In Andy Warhol and the Can that Sold the World, the dazzlingly versatile critic Gary Indiana tells the story of the genesis and impact of this iconic work of art. With energy, wit, and tremendous perspicacity, Indiana recovers the exhilaration and controversy of the Pop Art Revolution and the brilliant, tormented, and profoundly narcissistic figure at its vanguard. | ||
| 504 | |a Includes bibliographical references (pages 159-161) and index. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Warhol, Andy, |d 1928-1987. |t Campbell's Soup cans. |
| 600 | 1 | 0 | |a Warhol, Andy, |d 1928-1987 |x Criticism and interpretation. |
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| 650 | 0 | |a Avant-garde (Aesthetics) |z United States |x History |y 20th century. | |
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| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
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