Such deliberate disguises : the art of Philip Larkin /

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Such Deliberate Disguises: The Art of Philip Larkin argues that a true understanding of Philip Larkin as man and poet lies beyond his enduring public appeal and the variety of criticism that has recently been applied to his work. Richard Palmer suggests that the ostensible simplicity of Larkin'...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Palmer, Richard, 1947-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : Continuum, ©2008.
Colección:Continuum literary studies.
Temas:
Larkin, Philip > Criticism and interpretation.
Larkin, Philip
POETRY > English, Irish, Scottish, Welsh.
English Literature.
English.
Languages & Literatures.
Criticism, interpretation, etc.
Acceso en línea:Texto completo

MARC

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100 1 |a Palmer, Richard,  |d 1947-  |1 https://id.oclc.org/worldcat/entity/E39PCjv4KtGfYK8mxFkGV9kwbq 
245 1 0 |a Such deliberate disguises :  |b the art of Philip Larkin /  |c Richard Palmer. 
260 |a London ;  |a New York :  |b Continuum,  |c ©2008. 
300 |a 1 online resource (xxii, 178 pages). 
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490 1 |a Continuum Literary Studies 
504 |a Includes bibliographical references (pages 147-171) and index. 
588 0 |a Print version record. 
505 0 |a Acknowledgements; Abbreviations; Preface; Part I: Larkin's Jazz: 'An Enormous Yes'; 1. Prologue: 'Useful to Get That Learnt'; 2. All What Jazz: Larkin's Most Expensive Mistake; 3. 'Essential Beauty': Larkin's Righteous Jazz; 4. Conclusion: 'The Natural Noise Of Good'; Part II: Arrival: Larkin's Mature Verse; 5. Departures and Arrivals; 6. Larkin and Religion; 7. Fears, Antipathies and Aversions; Part III: Larkin the Librarian; 8. Larkin the Librarian; Appendix: A Skeleton Discography; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W; Y; Z. 
520 |a Such Deliberate Disguises: The Art of Philip Larkin argues that a true understanding of Philip Larkin as man and poet lies beyond his enduring public appeal and the variety of criticism that has recently been applied to his work. Richard Palmer suggests that the ostensible simplicity of Larkin's writing, which continues to attract so many readers to him, is deceptive, masking as it does one of the richest and most resonant of oeuvres in twentieth-century poetry. Penetrating the many masks of Larkin, the book sheds new and considerable light on the hitherto largely ignored spiritual significanc. 
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