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James Merrill : postmodern magus : myth and poetics /
In this meticulously researched, carefully argued work, Evans Lansing Smith argues that the nekyia, the circular Homeric narrative describing the descent into the underworld and reemergence in the same or similar place, confers shape and significance upon the entirety of James Merrill's poetry....
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Iowa City :
University of Iowa Press,
©2008.
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| Colección: | UPCC book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Smith, Evans Lansing, |d 1950- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjBfXjGkXBpkt9jR8cHPkP | |
| 245 | 1 | 0 | |a James Merrill : |b postmodern magus : myth and poetics / |c Evans Lansing Smith. |
| 260 | |a Iowa City : |b University of Iowa Press, |c ©2008. | ||
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| 504 | |a Includes bibliographical references (pages 253-261) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a In this meticulously researched, carefully argued work, Evans Lansing Smith argues that the nekyia, the circular Homeric narrative describing the descent into the underworld and reemergence in the same or similar place, confers shape and significance upon the entirety of James Merrill's poetry. Smith illustrates how pervasive this myth is in Merrill's work, not just in The Changing Light at Sandover, where it naturally serves as the central premise of the entire trilogy, but in all of the poet's books, before and after that central text. | ||
| 505 | 0 | |a Overture; 1. First Poems; 2. The Country of a Thousand Years of Peace; 3. Water Street; 4. Nights and Days; 5. The Fire Screen; 6. Braving the Elements; 7. Divine Comedies; 8. The Book of Ephraim; 9. The Changing Light at Sandover; 10. The Inner Room; 11. Late Settings and A Scattering of Salts; Coda; Notes; Bibliography; Index | |
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| 600 | 1 | 0 | |a Merrill, James Ingram |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Merrill, James, |d 1926-1995 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvXfrf9cpYf3chTMJJ7HC |
| 650 | 7 | |a POETRY |x American |x General. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Poetry. |2 bisacsh | |
| 650 | 7 | |a American Literature. |2 hilcc | |
| 650 | 7 | |a English. |2 hilcc | |
| 650 | 7 | |a Languages & Literatures. |2 hilcc | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a James Merrill, Postmodern Magus (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFvQPtr38XW9dKrRpQygYX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Smith, Evans Lansing, 1950- |t James Merrill. |d Iowa City : University of Iowa Press, ©2008 |w (DLC) 2008921473 |
| 830 | 0 | |a UPCC book collections on Project MUSE. | |
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