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|a Kobialka, Michal.
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|a Further on, nothing :
|b Tadeusz Kantor's theatre /
|c Michal Kobialka.
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|a University of Minnesota Press :
|b Minneapolis,
|c 2009.
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|a 1 online resource (xv, 533 pages)
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|a text
|b txt
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|a Includes bibliographical references.
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|a Print version record.
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|a My work-my journey (1988) -- Topography of representation. Independent theatre : theoretical essays (1942-1944) -- After the war : a night notebook or metamorphoses (1947-1948) -- Cricot 2 Theatre (about 1963) -- Reality of the lowest rank (1980) -- The autonomous theatre (1956/1963) -- The litany of the informel art (1955) -- The informel : terms and definitions -- The informel theatre (1961) -- The zero theatre (1963) -- The emballage (1957-1965) -- The "i" theatre (about 1969) -- The impossible theatre (1969-1973) -- 1955-1974 -- Spatial historiography: The dead class. A classroom (1971 or 1972) -- The theatre of death (1975) -- The dead class : selections from the Partytura (1974) -- Theatre of similitude. Theatrical place (1970s-1980s) -- The room : maybe a new phase (1980) -- Etudes-sketches of a scenario -- "The last supper" sequence of rehearsals -- Prison (1985) -- Reflection (1985) -- To save from oblivion (March 1988) -- The real "I" (1988) -- Illusion -- Illusion and repetition -- My meetings with death (1987) -- Memory (1988) -- Spatial historiography: Silent night. A short history of my life -- Silent night (Cricotage) (1990) -- Silent night-Partytura (Cricotage) (1990) -- The space of khora. My room (1990) -- A painting (1990) -- From the beginning my credo was-- (1990).
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|a Tadeusz Kantor (1915-1990) was one of the twentieth century's most innovative visual artists, stage directors, and theoreticians. His theatre productions and manifestos challenged the conventions of creating art in post-World War II culture and expanded the boundaries of Dada, surrealist, Constructivist, and happening theatre forms. Kantor's most widely known productions--The Dead Class (1975), Wielopole, Wielopole (1980), Let the Artists Die (1985), and Today Is My Birthday (1990)--have had a profound impact on playwrights and artists who continue today to engage with his radical theatre. In Fur.
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|a English.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Kantor, Tadeusz,
|d 1915-1990.
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|a Kantor, Tadeusz,
|d 1915-1990
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJpdVvjHrqfVKKXT9HwXBP
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|a Theatrical producers and directors
|z Poland
|v Biography.
|
650 |
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|a Experimental theater
|z Poland.
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|a Producteurs et metteurs en scène de théâtre
|z Pologne
|v Biographies.
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|a PERFORMING ARTS
|x Theater
|x Direction & Production.
|2 bisacsh
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|a DRAMA
|x European
|x General.
|2 bisacsh
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|a Experimental theater
|2 fast
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|a Theatrical producers and directors
|2 fast
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|a Poland
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39QbtfRgyP3qcDKmj68x7FVbM
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|a Biographies
|2 fast
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|i has work:
|a Further on, nothing (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGChm4J8mjjwCKqcv3hg83
|4 https://id.oclc.org/worldcat/ontology/hasWork
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0 |
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|i Print version:
|a Kobialka, Michal.
|t Further on, nothing.
|d University of Minnesota Press : Minneapolis, 2009
|w (DLC) 2009005236
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=471771
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