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Sincerity's shadow : self-consciousness in British romantic and mid-twentieth-century American poetry /

In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Deborah Forbes reveals unexpected convergences of poetic strategy.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Forbes, Deborah
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Mass. : Harvard University Press, 2004.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Forbes, Deborah. 
245 1 0 |a Sincerity's shadow :  |b self-consciousness in British romantic and mid-twentieth-century American poetry /  |c Deborah Forbes. 
260 |a Cambridge, Mass. :  |b Harvard University Press,  |c 2004. 
300 |a 1 online resource (viii, 244 pages) 
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504 |a Includes bibliographical references (pages 197-239) and index. 
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520 |a In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Deborah Forbes reveals unexpected convergences of poetic strategy. 
520 |b In a work of surprising range and authority, Deborah Forbes refocuses critical discussion of both Romantic and modern poetry. Sincerity's Shadow is a versatile conceptual toolkit for reading poetry. Ever since Wordsworth redefined poetry as "the spontaneous overflow of powerful feelings," poets in English have sought to represent a "sincere" self-consciousness through their work. Forbes's generative insight is that this project can only succeed by staging its own failures. Self-representation never achieves final sincerity, but rather produces an array of "sincerity effects" that give form to poetry's exploration of self. In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Forbes reveals unexpected convergences of poetic strategy. A lively and convincing dialectic is sustained through detailed readings of individual poems. By preserving the possible claims of sincerity longer than postmodern criticism has tended to, while understanding sincerity in the strictest sense possible, Forbes establishes a new vantage on the purposes of poetry. 
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650 0 |a English poetry  |y 19th century  |x History and criticism. 
650 0 |a Self-consciousness (Awareness) in literature. 
650 0 |a American poetry  |y 20th century  |x History and criticism. 
650 0 |a Postmodernism (Literature)  |z English-speaking countries. 
650 0 |a Romanticism  |z English-speaking countries. 
650 0 |a Sincerity in literature. 
650 0 |a Self in literature. 
650 6 |a Poésie anglaise  |y 19e siècle  |x Histoire et critique. 
650 6 |a Conscience de soi dans la littérature. 
650 6 |a Poésie américaine  |y 20e siècle  |x Histoire et critique. 
650 6 |a Postmodernisme (Littérature)  |z Anglophonie. 
650 6 |a Romantisme  |z Anglophonie. 
650 6 |a Sincérité dans la littérature. 
650 6 |a Moi (Psychologie) dans la littérature. 
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650 7 |a POETRY / General  |2 bisacsh 
650 7 |a American poetry  |2 fast 
650 7 |a English poetry  |2 fast 
650 7 |a Postmodernism (Literature)  |2 fast 
650 7 |a Romanticism  |2 fast 
650 7 |a Self-consciousness (Awareness) in literature  |2 fast 
650 7 |a Self in literature  |2 fast 
650 7 |a Sincerity in literature  |2 fast 
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648 7 |a 1800-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 0 8 |i Print version:  |a Forbes, Deborah.  |t Sincerity's shadow.  |d Cambridge, Mass. : Harvard University Press, 2004  |w (DLC) 2003056671 
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