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Freedom is, freedom ain't : jazz and the making of the sixties /
"In the long decade between the mid-1950s and the late 1960s, jazz was changing more than its sound. The age of Max Roach's Freedom Now Suite, John Coltrane's A Love Supreme, and Charles Mingus's The Black Saint and the Sinner Lady was a time when jazz became both newly militant...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, MA :
Harvard University Press,
2003.
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| Colección: | African American music reference.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Hard bop and the impulse to freedom
- I: A new intellectual vernacular
- 1. Birth of the cool: the early career of the hipster
- 2. Radicalism by another name: the white Negro meets the black Negro
- II: Redefining youth culture
- 3. Riot on a summer's day: white youth and the rise of the jazz festival
- 4. The riot in reverse: the Newport rebels, Langston Hughes, and the mockery of freedom
- III: The sound of struggle
- 5. Outrageous freedom: Charles Mingus and the invention of the jazz workshop
- 6. "This freedom's slave cries": listening to the jazz workshop
- IV: Freedom's saint
- 7. The serious side of hard bop: John Coltrane's early dramas of deliverance
- 8. Loving A love supreme: Coltrane, Malcolm, and the revolution of the psyche
- V: In and out of the whirlwind
- 9. "Love, like jazz, is a four letter word": jazz and the counterculture
- 10. The road to "soul power": the many ends of hard bop.