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Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925.
"Visions of Japanese Modernity is the single best account of the formation of Japanese cinema. Deftly drawing on film discourses, regulations, and exhibition practices, it brilliantly brings into focus one of the most exuberant and contested moments in the history of cinema. It not only sets ne...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2010.
|
| Colección: | ACLS Fellows' Publications.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Gerow, Aaron Andrew. | |
| 245 | 1 | 0 | |a Visions of Japanese Modernity : |b Articulations of Cinema, Nation, and Spectatorship, 1895-1925. |
| 260 | |a Berkeley : |b University of California Press, |c 2010. | ||
| 300 | |a 1 online resource (339 pages) | ||
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| 505 | 0 | |a Visions of Japanese Modernity; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Motion Pictures as a Problem; 2. Gonda Yasunosuke and the Promise of Film Study; 3. Studying the Pure Film; 4. The Subject of the Text: Benshi, Authors, and Industry; 5. Managing the Internal; Conclusion: Mixture, Hegemony, and Resistance; Notes; Selected Bibliography; Index. | |
| 520 | |a "Visions of Japanese Modernity is the single best account of the formation of Japanese cinema. Deftly drawing on film discourses, regulations, and exhibition practices, it brilliantly brings into focus one of the most exuberant and contested moments in the history of cinema. It not only sets new standards for film history but also plants the seeds for a counterhistory to cinema as such."Thomas LaMarre, author of The Anime Machine: A Media Theory of Animation "In this landmark study, Aaron Gerow richly demonstrates the vibrancy of Japanese film culture as no book has done befor. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Motion pictures |z Japan |x History |y 19th century. | |
| 650 | 0 | |a Motion pictures |z Japan |x History |y 20th century. | |
| 650 | 6 | |a Cinéma |z Japon |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Cinéma |z Japon |x Histoire |y 20e siècle. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Japan |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq | |
| 648 | 7 | |a 1800-1999 |2 fast | |
| 653 | |a Pure Film Movement | ||
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a Visions of Japanese modernity (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGYqvt8CcgqhbYyXmwPmMK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Gerow, Aaron. |t Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925. |d Berkeley : University of California Press, ©2010 |z 9780520254565 |
| 830 | 0 | |a ACLS Fellows' Publications. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=547587 |z Texto completo |
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