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Visions of the Apocalypse : spectacles of destruction in American cinema /
Visions of the Apocalypse examines the cinema's fascination with the prospect of nuclear and/or natural annihilation, as seen in such films as Saving Private Ryan, Bowling for Columbine, We Were Soldiers, Invasion U.S.A., The Last War, Tidal Wave, The Bed Sitting Room, The Last Days of Man on E...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Wallflower,
©2003.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Dixon, Wheeler W., |d 1950- |1 https://id.oclc.org/worldcat/entity/E39PBJcgwxQyc3gP9VhGppctrq | |
| 245 | 1 | 0 | |a Visions of the Apocalypse : |b spectacles of destruction in American cinema / |c Wheeler Winston Dixon. |
| 260 | |a London ; |a New York : |b Wallflower, |c ©2003. | ||
| 300 | |a 1 online resource (xiii, 169 pages, 8 unnumbered pages of plates) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 347 | |a text file |2 rdaft | ||
| 347 | |b PDF | ||
| 504 | |a Includes bibliographical references (pages 145-158) and index. | ||
| 505 | 0 | |a Introduction: Tyranny of Images -- Freedom from Choice -- Invasion USA -- Limits of Time -- Coda: The Copenhagen Defense. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Visions of the Apocalypse examines the cinema's fascination with the prospect of nuclear and/or natural annihilation, as seen in such films as Saving Private Ryan, Bowling for Columbine, We Were Soldiers, Invasion U.S.A., The Last War, Tidal Wave, The Bed Sitting Room, The Last Days of Man on Earth and numerous others. It also considers the ways in which contemporary cinema has become increasingly hyper-conglomerised, leading to films with ever-higher budgets and fewer creative risks. Along the way, the author discusses such topics as the death of film itself, to be replaced by digital video. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Disaster films |x History and criticism. | |
| 650 | 0 | |a Apocalypse in motion pictures. | |
| 650 | 0 | |a Violence in motion pictures. | |
| 650 | 0 | |a War films |x History and criticism. | |
| 650 | 6 | |a Films-catastrophes |x Histoire et critique. | |
| 650 | 6 | |a Films de guerre |x Histoire et critique. | |
| 650 | 6 | |a Fin du monde au cinéma. | |
| 650 | 6 | |a Violence au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Violence in motion pictures |2 fast | |
| 650 | 7 | |a Apocalypse in motion pictures |2 fast | |
| 650 | 7 | |a Disaster films |2 fast | |
| 650 | 7 | |a Zerstörung |g Motiv |2 gnd | |
| 650 | 7 | |a Weltuntergang |g Motiv |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 650 | 1 | 7 | |a Rampenfilms. |2 gtt |
| 650 | 1 | 7 | |a Politieke aspecten. |2 gtt |
| 650 | 1 | 7 | |a Sociale aspecten. |2 gtt |
| 650 | 1 | 7 | |a Terrorisme. |2 gtt |
| 650 | 1 | 7 | |a Internationale orde. |2 gtt |
| 650 | 7 | |a Films de guerre |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Fin du monde |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Apocalypse |x Au cinéma. |2 ram | |
| 650 | 7 | |a Violence |x Au cinéma. |2 ram | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Visions of the Apocalypse (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH4ChkrwhmwKVrw9QmGbkC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Dixon, Wheeler W., 1950- |t Visions of the Apocalypse. |d London ; New York : Wallflower, ©2003 |w (OCoLC)52565391 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1980193 |z Texto completo |
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