The Solaris effect : art & artifice in contemporary American film /

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What do contemporary American movies and directors have to say about the relationship between nature and art? How do science fiction films like Steven Spielberg's A.I. and Darren Aronofsky's represent the apparent oppositions between nature and culture, wild and tame? Steven Dillon's...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Dillon, Steven, 1960-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2006.
Edición:1st ed.
Colección:Book collections on Project MUSE.
Temas:
Tarkovskij, Andrej Arsenʹevič > Ästhetik und Poetik.
Motion pictures > United States.
Cinéma > États-Unis.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > History & Criticism.
Motion pictures
Film
Ästhetik
Natur > Motiv
Kultur > Motiv
Avantgardistischer Film > USA > Geschichte 1960-2000.
Avantgardistischer Film > USA > Geschichte 2001 ff.
Filmästhetik > USA > Geschichte 2001 ff.
Solaris > (Film)
Film > Ästhetik > USA > Geschichte.
Film > Kunst > USA > Geschichte.
United States
USA
USA > Film > Geschichte.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Tarkovsky's Solaris and the cinematic abyss
  • Steven Soderbergh's tinted world
  • Aronofsky, Sundance, and the return to nature
  • Mulholland Drive, Cahiers du cinéma, and the horror of cinephilia
  • Speilberg's A.I. : animation, time, and digital culture
  • Cinema against art : artists and paintings in contemporary American film
  • A plague of frogs : expressionism and naturalism in 1990s American film
  • Situating American film in Godard, Jarmusch, and Scorsese.

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