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The prose works of Andrew Marvell. Vol. II, 1676-1678.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Marvell, Andrew, 1621-1678
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Haven : Yale University Press, ©2003.
Colección:Prose works of Andrew Marvell.
Temas:
Acceso en línea:Texto completo

MARC

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240 1 0 |a Prose works 
245 1 4 |a The prose works of Andrew Marvell.  |n Vol. II,  |p 1676-1678. 
260 |a New Haven :  |b Yale University Press,  |c ©2003. 
300 |a 1 online resource (xviii, 493 pages) 
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490 1 |a Prose works of Andrew Marvell 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Contents: Volume II -- Chronology: Marvell in the Restoration -- Abbreviations -- MR. SMIRKE and A SHORT HISTORICAL ESSAY -- Edited by Annabel Patterson -- Mr. Smirke; or, the Divine in Mode -- A Short Historical Essay Concerning General Councils, Creeds, and Impositions, in Matters of Religion -- AN ACCOUNT OF THE GROWTH OF POPERY -- Edited by Nicholas von Maltzahn -- An Account of the Growth of Popery and Arbitrary Governmentin England -- REMARKS UPON A LATE DISINGENUOUS DISCOURSE -- Edited by N.H. Keeble 
520 |b Andrew Marvell (162178) is best known today as the author of a handful of exquisite lyrics and provocative political poems. In his own time, however, Marvell was famous for his brilliant prose interventions in the major issues of the Restoration, religious toleration, and what he called arbitrary as distinct from parliamentary government. This is the first modern edition of all Marvells prose pamphlets, complete with introductions and annotation explaining the historical context. Four major scholars of the Restoration era have collaborated to produce this truly Anglo-American edition.From the Rehearsal Transprosd, a serio-comic best-seller which appeared with tacit permission from Charles II himself, through the documentary Account of the Growth of Popery and Arbitrary Government, Marvell established himself not only as a model of liberal thought for the eighteenth century but also as an irresistible new voice in political polemic, wittier, more literary, and hence more readable than his contemporaries. 
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