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New Musical Figurations : Anthony Braxton's Cultural Critique.
New Musical Figurations exemplifies a dramatically new way of configuring jazz music and history. By relating biography to the cultural and musical contours of contemporary American life, Ronald M. Radano observes jazz practice as part of the complex interweaving of postmodern culturea culture that...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
1993.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Radano, Ronald M. | |
| 245 | 1 | 0 | |a New Musical Figurations : |b Anthony Braxton's Cultural Critique. |
| 260 | |a Chicago : |b University of Chicago Press, |c 1993. | ||
| 300 | |a 1 online resource (333 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Contents; List of Illustrations; Acknowledgments; A Note on Sources and Methods; 1 Introduction: A New Musical Balance; 2 Chicago as Aesthetic Center; 3 Musical Assertions of Black Identity; 4 New Musical Convergences: Paris and New York; 5 Defining a Black Vanguard Aesthetic; 6 Black Experimentalism as Spectacle; Epilogue: Jazz Recast; Appendix A: Picture Titles of Compositions Cited; Appendix B: Recordings Cited/Anthony Braxton on Record; Music Index; General Index. | |
| 520 | |a New Musical Figurations exemplifies a dramatically new way of configuring jazz music and history. By relating biography to the cultural and musical contours of contemporary American life, Ronald M. Radano observes jazz practice as part of the complex interweaving of postmodern culturea culture that has eroded conventional categories defining jazz and the jazz musician. Radano accomplishes all this by analyzing the creative life of Anthony Braxton, one of the most emblematic figures of this cultural crisis. Born in 1945, Braxton is not only a virtuoso jazz saxophonist but an innovative theoret. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Braxton, Anthony. |
| 600 | 1 | 7 | |a Braxton, Anthony |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJx4jDvMCp8J88c3KQbPQq |
| 650 | 0 | |a Jazz |x History and criticism. | |
| 650 | 0 | |a Jazz musicians |z United States |v Biography. | |
| 650 | 6 | |a Musiciens de jazz |z États-Unis |v Biographies. | |
| 650 | 7 | |a Jazz |2 fast | |
| 650 | 7 | |a Jazz musicians |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 653 | |a jazz, music, history, anthony braxton, biography, postmodernism, conformity, innovation, experimentation, experimental art, composer, saxophone, virtuoso, chicago, south side, association for the advancement of creative musicians, paris, new york, frederic rzewski, steve reich, philip glass, wesleyan university, mills college, theoretical musical system, chamber groups, opera, composition, black identity, spectacle, race, diversity, expression, nonfiction. | ||
| 655 | 7 | |a Biographies |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a New musical figurations (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFTG8P4Mh4w7CP6BjCvtfC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 1 | |z 9780226701967 | |
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