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|a 780.902
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|a UAMI
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|a Sherman, Bernard D.
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|a Inside Early Music :
|b Conversations with Performers /
|c Bernard D. Sherman.
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|a Oxford :
|b Oxford University Press, USA,
|c [2003], ©1997.
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|a 1 online resource (431 pages)
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|a text
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|a Contents; Preface and Acknowledgments; Preface to the Paperback Edition; Introduction: An Atmosphere of Controversy; I. MEDIEVAL MUSIC, PLAINCHANT, AND "OTHERNESS; II. THE RENAISSANCE, OXBRIDGE, AND ITALY; III. THE BAROQUE; IV. CLASSICAL AND ROMANTIC; Epilogue; Index.
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|a Preface and Acknowledgments. Introduction: An Atmosphere of Controversy. PART ONE: The Middle Ages, Plainchant, and "Otherness". 1. A Different Sense of Time-Marcel Peres on plainchant. 2. You Can't Sing a Footnote--Susan Hellauer on performing medieval music. 3. Vox Feminea--Barbara Thornton on Hildegard von Bingen. 4. The Colonizing Ear--Christopher Page on medieval music. Postscript: The Middle Ages, Plainchant, and "Otherness". PART TWO: The Renaissance, Oxbridge, and Italy. The Modern "English Countenance". 5. There Is No Such Thing as a Norm--Paul Hillier on
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|a Print version record.
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|a Includes bibliographical references and index.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Performance practice (Music)
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|a Style, Musical.
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|a Musicians
|v Interviews.
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|a Pratique de l'exécution (Musique)
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|a Style musical.
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|a Musiciens
|v Entretiens.
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|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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|a MUSIC
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|a Musicians
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|a Performance practice (Music)
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|a Style, Musical
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|a Interviews
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|i has work:
|a Inside early music (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFDGg7CF9WrhBpKKDvyyBP
|4 https://id.oclc.org/worldcat/ontology/hasWork
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