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|a Hezekiah, Gabrielle A.
|q (Gabrielle Andrée),
|d 1965-
|1 https://id.oclc.org/worldcat/entity/E39PCjtJvf68hCfFf3PCGxBfhd
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|a Phenomenology's material presence :
|b video, vision and experience /
|c Gabrielle A. Hezekiah.
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|a Bistol, UK ;
|a Chicago :
|b Intellect,
|c 2010.
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|a 1 online resource (vi, 91 pages) :
|b illustrations
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|a Includes bibliographical references and videography.
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|a Cover -- Preliminary Pages -- Contents -- Preface -- Acknowledgements -- Introduction -- Phenomenology's Aims and Methods -- Phenomenology8217;s Material Presence -- Chapter 1: Acts of Consciousness -- Performing the Reduction -- Memory and Dream -- Movement, Memory and Consciousness -- "The Thetic Role of Consciousness" -- Chapter 2: Being and Consciousness -- The 8220;Concretion of Visibility8221; -- Possession, Embodiment and Consciousness -- Ecstasis, Temporality and the Dasein -- Chapter 3: Being, Consciousness and Time -- The Enfoldment in Time -- Being, Consciousness and Time -- Conclusion -- Endnotes -- Bibliography -- Videography.
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|a Phenomenology's Material Presence: Video, Vision and Experience is an exploration of phenomenology and the aesthetics of the moving image. Drawing on the insights of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, this seminal work addresses key questions related to the notion of encounter in cinematic viewing. How does video make visible the act of looking and the act of being seen? How does it intimate the presence of that which cannot be seen? What is the role of video's material body in facilitating this process? Using a poetic essay style, and three videos by Trinidadian film-maker Robert Yao Ramesar, this book suggests that video performs its own act of phenomenological inquiry. Phenomenology's Material Presence invites the reader to explore the role of consciousness in our experience of the visual and brings continental philosophy and postcolonial cinema into conversation.
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|a Print version record.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Ramesar, Robert Yao.
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|a Ramesar, Robert Yao
|2 fast
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|a Motion pictures
|x Philosophy.
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|a Video recordings.
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|a Phenomenology.
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|a Caribbean Area
|x In motion pictures.
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|a Vidéos.
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|a Phénoménologie.
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|a Caraïbes (Région)
|x Au cinéma.
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|a Cinéma
|x Philosophie.
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|a phenomenology.
|2 aat
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|a video recordings (physical artifacts)
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|a DRAMA.
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|a PERFORMING ARTS / Film & Video / General
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|a Motion pictures
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|a Motion pictures
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|a Phenomenology
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|a Video recordings
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|a Caribbean Area
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|a video recordings (physical artifacts)
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|a Video recordings.
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|a Vidéos.
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|i has work:
|a Phenomenology's material presence (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGmGwby3XtGJH66y9jbKMK
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Hezekiah, Gabrielle A. (Gabrielle Andrée), 1965-
|t Phenomenology's material presence.
|d Bistol, UK ; Chicago : Intellect, 2010
|z 9781841503103
|w (OCoLC)457149126
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=495902
|z Texto completo
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