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The culture wars of the late Renaissance : skeptics, libertines, and opera /
In this book, Muir explores an era of cultural innovation that promoted free inquiry in the face of philosophical and theological orthodoxy, advocated libertine morals, critiqued the tyranny of aristocratic fathers over their daughters, and expanded the theatrical potential of grand opera. In so doi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Mass. :
Harvard University Press,
2007.
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| Colección: | Bernard Berenson lectures on the Italian Renaissance.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Muir, Edward, |d 1946- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJbRf6WDWBwYFq4Ht3Krv3 | |
| 245 | 1 | 4 | |a The culture wars of the late Renaissance : |b skeptics, libertines, and opera / |c Edward Muir. |
| 260 | |a Cambridge, Mass. : |b Harvard University Press, |c 2007. | ||
| 300 | |a 1 online resource (xiii, 175 pages) : |b illustrations | ||
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| 490 | 1 | |a The Bernard Berenson lectures on the Italian Renaissance | |
| 504 | |a Includes bibliographical references (pages 151-167) and index. | ||
| 505 | 0 | |a The skeptics : Galileo's telescope and Cremonini's headache -- The libertines : the celestial divorce -- The librettists : Poppea in the opera box. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 588 | 0 | |a Print version record. | |
| 506 | |a Access restricted to Ryerson students, faculty and staff. |5 CaOTR | ||
| 520 | |a In this book, Muir explores an era of cultural innovation that promoted free inquiry in the face of philosophical and theological orthodoxy, advocated libertine morals, critiqued the tyranny of aristocratic fathers over their daughters, and expanded the theatrical potential of grand opera. In so doing, he reveals the distinguished past of today's culture wars, including debates about the place of women in society, the clash between science and faith, and the power of the arts to stir emotions. | ||
| 546 | |a In English. | ||
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| 830 | 0 | |a Bernard Berenson lectures on the Italian Renaissance. | |
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