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Out takes : essays on queer theory and film /
This collection brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism. While the "politics of representation" has been the focus of much previous gay and lesbian film criticism, the contributors to Out Takes employ...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham, NC :
Duke University Press,
1999.
|
| Colección: | Series Q.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Out takes : |b essays on queer theory and film / |c edited by Ellis Hanson. |
| 260 | |a Durham, NC : |b Duke University Press, |c 1999. | ||
| 300 | |a 1 online resource (vi, 364 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Series Q | |
| 504 | |a Includes bibliographical references (pages 347-355) and index. | ||
| 505 | 0 | |a Queering the deal: on the road with Hope and Crosby / Steven Cohan -- The queer aesthete, the diva, and the Red shoes / Alexander Doty -- Rear Window's glasshole / Lee Edelman -- Visual pleasure in 1959 / D.A. Miller -- Cassandra's eyes / Bonnie Burns -- "That ain't all she ain't": Doris Day and queer performativity / Eric Savoy -- Lesbians who bite / Ellis Hanson -- Heavenly creatures in Godzone / Michelle Elleray -- White neurotics, black primitives, and the queer matrix of Borderline / Jean Walton -- Scandalous! Kenneth Anger and the prohibitions of Hollywood history / Matthew Tinkcom -- Queer period: Derek Jarman's renaissance / Jim Ellis -- Forbidden love: pulp as lesbian history / Amy Villarejo. | |
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 520 | |a This collection brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism. While the "politics of representation" has been the focus of much previous gay and lesbian film criticism, the contributors to Out Takes employ the approaches of queer theory to move beyond conventional readings and to reexamine aspects of the cinematic gaze in relation to queer desire and spectatorship. The essays examine a wide array of films, including Calamity Jane, Rear Window, The Hunger, Heavenly Creatures, and Bound, and discuss such figures as Doris Day, Elizabeth Taylor, and Alfred Hitchcock. Divided into three sections, the first part reconsiders the construction of masculinity and male homoerotic desire--especially with respect to the role of women--in classic cinema of the 1940s and 1950s. The second section offers a deconstructive consideration of lesbian film spectatorship and lesbian representation. Part three looks at the historical trajectory of independent queer cinema, including works by H.D., Kenneth Anger, and Derek Jarman. By exploring new approaches to the study of sexuality in film, Out Takes will be useful to scholars in gay and lesbian studies, queer theory, and cinema studies. Contributors. Bonnie Burns, Steven Cohan, Alexander Doty, Lee Edelman, Michelle Elleray, Jim Ellis, Ellis Hanson, D.A. Miller, Eric Savoy, Matthew Tinkcom, Amy Villarejo, Jean Walton | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Homosexuality in motion pictures. | |
| 650 | 0 | |a Homosexuality and motion pictures. | |
| 650 | 0 | |a Gay motion picture producers and directors. | |
| 650 | 0 | |a Queer theory. | |
| 650 | 6 | |a Homosexualité au cinéma. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma homosexuels. | |
| 650 | 6 | |a Théorie queer. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Lesbian Studies. |2 bisacsh | |
| 650 | 7 | |a Gay motion picture producers and directors |2 fast | |
| 650 | 7 | |a Homosexuality and motion pictures |2 fast | |
| 650 | 7 | |a Homosexuality in motion pictures |2 fast | |
| 650 | 7 | |a Queer theory |2 fast | |
| 650 | 1 | 7 | |a Homoseksualiteit. |2 gtt |
| 650 | 1 | 7 | |a Films. |2 gtt |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 7 | |a Homosexualität |2 gnd | |
| 650 | 7 | |a Lesbische Orientierung |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 650 | 7 | |a Homosexualität |g Motiv |2 gnd | |
| 650 | 7 | |a Homosexuality in motion pictures. |2 nli | |
| 650 | 7 | |a Homosexuality and motion pictures. |2 nli | |
| 650 | 7 | |a Gay motion picture producers and directors. |2 nli | |
| 655 | 4 | |a Aufsatzsammlung. | |
| 700 | 1 | |a Hanson, Ellis, |d 1965- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjDBXXJvcQRBgTcjdjYK8d | |
| 758 | |i has work: |a Out takes (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGYBRx4rtydpcTFhgxhgGb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Out takes. |d Durham, NC : Duke University Press, 1999 |z 0822323095 |w (DLC) 98037161 |w (OCoLC)39786536 |
| 830 | 0 | |a Series Q. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3008035 |z Texto completo |
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