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|a UAMI
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1 |
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|a Davidov, Judith Fryer,
|e author.
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|a Women's camera work :
|b self/body/other in American visual culture /
|c Judith Fryer Davidov.
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|a Durham :
|b Duke University Press,
|c 1998.
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|a 1 online resource (xii, 494 pages) :
|b illustrations
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|a text
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|a computer
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|a online resource
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1 |
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|a New Americanists
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|a Includes bibliographical references (pages 387-477) and index.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
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|a digitized
|c 2010
|h HathiTrust Digital Library
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588 |
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|a Print version record.
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|a I. Histories: versions and subversions -- II. The geometry of Bodies: gender and genre in pictorialist photography -- III. "Always the Navajo took the picture" -- IV. Containment and excess: representing African Americans -- V. "The Only gentile among the Jews": Dorothea Lange's documentary photography -- VI. The body's geography: female versions of landscape.
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|a English.
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|a Women's Camera Work explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship--one that included Gertrude Käsebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin. Women's Camera Work ranges from American women's photographic practices during the nineteenth and early twentieth centuries to a study of landscape photography. Using contemporary cultural studies discourse to critique influential male-centered historiography and the male-dominated art world, Davidov exhibits the work of these women; tells their absorbing stories; and discusses representations of North American Indians, African Americans, Asian Americans, and the migrant poor. Evaluating these photographers' distinct contributions to constructions of Americanness and otherness, she helps us to discover the power of reading images closely, and to learn to see through these women's eyes. In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women's studies, and general readers alike.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Photography
|z United States
|x History.
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|a Women photographers
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|a Femmes photographes
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|a TECHNOLOGY & ENGINEERING
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|a Photography
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|a United States
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|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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|a Fotografie.
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|a Vrouwelijke kunstenaars.
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|a History
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|i has work:
|a Women's camera work (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFM9WmGwVhwh7VKGbjx6mm
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Davidov, Judith Fryer.
|t Women's camera work.
|d Durham : Duke University Press, 1998
|z 0822320541
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