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Legba's crossing : narratology in the African Atlantic /

In Haiti, Papa Legba is the spirit whose permission must be sought to communicate with the spirit world. He stands at and for the crossroads of language, interpretation, and form and is considered to be like the voice of a god. This book examines how writers from the United States and the anglophone...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Russell, Heather, 1970- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Athens : University of Georgia Press, [2009]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Russell, Heather,  |d 1970-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjFc9YQ9Tmb66rrgpjQg8C 
245 1 0 |a Legba's crossing :  |b narratology in the African Atlantic /  |c Heather Russell. 
264 1 |a Athens :  |b University of Georgia Press,  |c [2009] 
264 4 |c ©2009 
300 |a 1 online resource (xi, 202 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Race, citizenship, and form : James Weldon Johnson's The autobiography of an ex-colored man -- The poetics of biomythography : the work of Audre Lorde -- Race, nation, and the imagination : Michelle Cliff's No telephone to heaven -- Jazz imaginings of the nation-state : Earl Lovelace's Salt -- Dis-ease, de-formity, and diaspora : John Edgar Wideman's The cattle killing. 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
520 |a In Haiti, Papa Legba is the spirit whose permission must be sought to communicate with the spirit world. He stands at and for the crossroads of language, interpretation, and form and is considered to be like the voice of a god. This book examines how writers from the United States and the anglophone Caribbean challenge conventional Western narratives through innovative use, disruption, and reconfiguration of form. It analyzes the work of James Weldon Johnson, Audre Lorde, Michelle Cliff, Earl Lovelace, and John Edgar Wideman in light of the West African aesthetic principle of ashe, a quality ascribed to art that transcends the prescribed boundaries of form. Ashe is linked to the characteristics of improvisation and flexibility that are central to jazz and other art forms. The author argues that African Atlantic writers self-consciously and self-reflexively manipulate dominant forms that prescribe a certain trajectory of, for example, enlightenment, civilization, or progress. She connects this seemingly postmodern meta-analysis to much older West African philosophy and its African Atlantic iterations, which she calls "the Legba Principle." 
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650 0 |a American literature  |x African American authors  |x History and criticism. 
650 0 |a Caribbean literature (English)  |x Black authors  |x History and criticism. 
650 0 |a Race in literature. 
650 0 |a African diaspora in literature. 
650 0 |a Narration (Rhetoric) 
650 0 |a Discourse analysis, Narrative. 
650 6 |a Littérature antillaise (anglaise)  |x Auteurs noirs  |x Histoire et critique. 
650 6 |a Race dans la littérature. 
650 6 |a Africains  |z Pays étrangers, dans la littérature. 
650 6 |a Narration. 
650 6 |a Discours narratif. 
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650 7 |a SOCIAL SCIENCE  |x Ethnic Studies  |x African American Studies.  |2 bisacsh 
650 7 |a African diaspora in literature  |2 fast 
650 7 |a American literature  |x African American authors  |2 fast 
650 7 |a Discourse analysis, Narrative  |2 fast 
650 7 |a Narration (Rhetoric)  |2 fast 
650 7 |a Race in literature  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 0 8 |i Print version:  |a Russell, Heather, 1970-  |t Legba's crossing.  |d Athens : University of Georgia Press, ©2009  |z 9780820328676  |w (DLC) 2009009179  |w (OCoLC)314839326 
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