Cargando…
Afterimages of Gilles Deleuze's film philosophy /
The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
©2010.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn593295695 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 100402s2010 mnua ob s001 0 eng d | ||
| 010 | |a 2009034206 | ||
| 040 | |a N$T |b eng |e pn |c N$T |d EBLCP |d YDXCP |d E7B |d OCLCQ |d MHW |d OCLCQ |d IDEBK |d JSTOR |d COO |d DKDLA |d OCLCQ |d OCLCF |d OCLCO |d OCLCQ |d P@U |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d AZK |d OCLCO |d MOR |d PIFAG |d ZCU |d OCLCQ |d MERUC |d OCLCQ |d IOG |d OCLCO |d U3W |d STF |d WRM |d COCUF |d NRAMU |d ICG |d TXC |d INT |d VT2 |d OCLCQ |d OCLCO |d QCL |d WYU |d LVT |d YOU |d TKN |d OCLCQ |d OCLCO |d DKC |d OCLCQ |d KCP |d OCLCQ |d OCLCO |d LUN |d MM9 |d UX1 |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d OCLCQ |d OCLCL | ||
| 015 | |a GBA988756 |2 bnb | ||
| 016 | 7 | |a 015366339 |2 Uk | |
| 019 | |a 612750471 |a 647886268 |a 764533699 |a 961577241 |a 962559777 |a 1055349443 |a 1066641312 |a 1081216083 |a 1126061185 |a 1175622505 |a 1228589745 | ||
| 020 | |a 9780816670727 |q (electronic bk.) | ||
| 020 | |a 0816670722 |q (electronic bk.) | ||
| 020 | |a 0816650063 |q (hc ; |q alk. paper) | ||
| 020 | |a 9780816650064 |q (hc ; |q alk. paper) | ||
| 020 | |a 0816650071 |q (pbk. ; |q alk. paper) | ||
| 020 | |a 9780816650071 |q (pbk. ; |q alk. paper) | ||
| 020 | |z 9780816650064 |q (hc ; |q alk. paper) | ||
| 020 | |z 9780816650071 |q (pb ; |q alk. paper) | ||
| 029 | 1 | |a AU@ |b 000053268209 | |
| 029 | 1 | |a AU@ |b 000058368023 | |
| 029 | 1 | |a AU@ |b 000060530206 | |
| 029 | 1 | |a DEBBG |b BV044142665 | |
| 029 | 1 | |a GBVCP |b 1003620744 | |
| 029 | 1 | |a NZ1 |b 14242852 | |
| 035 | |a (OCoLC)593295695 |z (OCoLC)612750471 |z (OCoLC)647886268 |z (OCoLC)764533699 |z (OCoLC)961577241 |z (OCoLC)962559777 |z (OCoLC)1055349443 |z (OCoLC)1066641312 |z (OCoLC)1081216083 |z (OCoLC)1126061185 |z (OCoLC)1175622505 |z (OCoLC)1228589745 | ||
| 037 | |a 22573/cttbpc83 |b JSTOR | ||
| 050 | 4 | |a PN1995 |b .A275 2010eb | |
| 072 | 7 | |a PER |x 004030 |2 bisacsh | |
| 072 | 7 | |a PER004030 |2 bisacsh | |
| 082 | 0 | 4 | |a 791.4301 |2 22 |
| 084 | |a 24.31 |2 bcl | ||
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Afterimages of Gilles Deleuze's film philosophy / |c D.N. Rodowick, editor. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2010. | ||
| 300 | |a 1 online resource (xxiv, 396 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : what does time express? / D.N. Rodowick -- Doublings. The Image of thought: art or philosophy, or beyond? / Raymond Bellour -- Image or time? The thought of the outside in The time image (Deleuze and Blanchot) / Marie-Claire Ropars-Wuilleumier -- Notes to a footnote: the open work according to eco and deleuze / András Bálint Kovács -- Mutual images: reflections of Kant in Deleuze's transcendental cinema of time / Melinda Szaloky -- Darkness and Light / Dorothea Olkowski -- Ethics. the world, Time / D.N. Rodowick -- To choose to choose-to believe in this world / Ronald Bogue -- Becomings. Is a schizoanalysis of cinema possible? / Ian Buchanan -- Cinemasochism: submissive spectatorship as unthought / Patricia MacCormack -- Unthinkable sex / D.N. Rodowick -- Experiments. The strategist and the stratigrapher / Tom Conley -- Pleats of Matter, folds of the soul / Giuliana Bruno -- The affection-image and the movement-image / James Chandler -- Becoming-fluid: history, corporeality, and the musical spectacle / Amy Herzog -- Futures. Deleuze's tme, or How the cinematic changes our idea of art / John Rajchman -- Immanent images: photography after mobility / Damian Sutton -- Cimnemonics vs. Digitime / Garrett Stewart -- Time @ Cinema's future: new media art and the thought of temporality / Timothy Murray. | |
| 520 | |a The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought. The firs. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Deleuze, Gilles, |d 1925-1995 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Deleuze, Gilles, |d 1925-1995 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtRKRmp8W3B73TxP6Dcyd |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Rodowick, David Norman. | |
| 758 | |i has work: |a Afterimages of Gilles Deleuze's film philosophy (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGcxDm8cQm7fkbXWkqRTxP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Afterimages of Gilles Deleuze's film philosophy. |d Minneapolis : University of Minnesota Press, ©2010 |z 9780816650064 |w (DLC) 2009034206 |w (OCoLC)351313253 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=496599 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL496599 | ||
| 938 | |a ebrary |b EBRY |n ebr10370425 | ||
| 938 | |a EBSCOhost |b EBSC |n 312315 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis26259604 | ||
| 938 | |a Project MUSE |b MUSE |n muse38785 | ||
| 938 | |a YBP Library Services |b YANK |n 3179040 | ||
| 994 | |a 92 |b IZTAP | ||