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|a Hepburn, Allan.
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|a Intrigue :
|b espionage and culture /
|c Allan Hepburn.
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|a New Haven :
|b Yale University Press,
|c [2005].
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|c ©2005
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|a 1 online resource (xvii, 327 pages)
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|a text
|b txt
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|a Includes bibliographical references (pages 303-321) and index.
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|a Spies : a theory of intrigue -- Thrills : fear and catharsis as ideological effects -- Codes : self-evident meaning in narratives of intrigue -- Ghosts : illegitimacy and commitment in Under western eyes -- Sewers : fantasies of death and disgust in The third man -- Collaborations : love and war in The heat of the day -- Walls : The spy who came in from the cold as allegory -- Leaks : fighting the queer cold war in The untouchable -- Disappearances : missing bodies in Sabbatical -- Democracy : the death of a spy -- Conclusion: Little Rooms.
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|a Print version record.
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|a 'Intrigue' examines the tradition of the spy narrative in the 20th century, setting the historical contexts for the main themes of the genre, such as the Cambridge spy ring & the Profumo Affair. Hepburn offers a systematic theory of the conventions & attractions of espionage fiction.
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|a Why do spies have such cachet in the twentieth century? Why do they keep reinventing themselves? What do they mean in a political process? This book examines the tradition of the spy narrative from its inception in the late nineteenth century through the present day. Ranging from John le Carré's bestsellers to Elizabeth Bowen's novels, from James Bond to John Banville's contemporary narratives, Allan Hepburn sets the historical contexts of these fictions: the Cambridge spy ring; the Profumo Affair; the witch-hunts against gay men in the civil service and diplomatic corps in the 1950s. Instead of focusing on the formulaic nature of the genre, Intrigue emphasizes the responsiveness of spy stories to particular historical contingencies. Hepburn begins by offering a systematic theory of the conventions and attractions of espionage fiction and then examines the British and Irish tradition of spy novels. A final section considers the particular form that American spy narratives have taken as they have cross-fertilized with the tradition of American romance in works such as Joan Didion's Democracy andJohn Barth's Sabbatical. --
|c Publisher
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified]:
|c HathiTrust Digital Library.
|d 2020.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2020.
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Englisch, ...
|2 gnd
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|a Spy stories, English
|x History and criticism.
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|a American fiction
|y 20th century
|x History and criticism.
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|a English fiction
|y 20th century
|x History and criticism.
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|a Spy stories, American
|x History and criticism.
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|a Espionage, American
|x History
|y 20th century.
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|a Espionage, British
|x History
|y 20th century.
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|a Spy films
|x History and criticism.
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|a Espionage in literature.
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|a Spies in literature.
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|a American fiction
|y 20th century.
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|a English fiction
|y 20th century.
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|a Espionage, American.
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|a Roman d'espionnage anglais
|x Histoire et critique.
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|a Roman américain
|y 20e siècle.
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|a Roman anglais
|y 20e siècle.
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|a Roman d'espionnage américain
|x Histoire et critique.
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|a Espionnage américain.
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|a Espionnage britannique
|x Histoire.
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|a Films d'espionnage
|x Histoire et critique.
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|a Espionnage dans la littérature.
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|a Espions dans la littérature.
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|a Roman américain
|y 20e siècle
|x Histoire et critique.
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|a Roman anglais
|y 20e siècle
|x Histoire et critique.
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|a Espionnage américain
|x Histoire
|y 20e siècle.
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|a Espionnage britannique
|x Histoire
|y 20e siècle.
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a LITERARY CRITICISM
|x General.
|2 bisacsh
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|a American fiction
|2 fast
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|a English fiction
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|a Espionage, American
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|a Espionage, British
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|a Espionage in literature
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|a Spies in literature
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|a Spy films
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|a Spy stories, American
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|a Spy stories, English
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|a Spionagefilm
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|a Spionagegeschichte
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|a USA
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|a Fictie.
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|a Engels.
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|a Amerikaans.
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|a Spionageverhalen.
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|a Spionagefilms.
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|a Spionage.
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|a Spionnen.
|2 gtt
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|a Englisch.
|2 swd
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|a Literature.
|2 ukslc
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|a 1900-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|i has work:
|a Intrigue (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCXmYwDk6kWVwBRyDDgxTwP
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Hepburn, Allan.
|t Intrigue.
|d New Haven : Yale University Press, ©2005
|z 9780300104981
|w (DLC) 2004015680
|w (OCoLC)55948010
|
856 |
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