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|a 303349
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|a Race, class, and gender in "medieval" cinema /
|c edited by Lynn T. Ramey and Tison Pugh.
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260 |
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|a New York :
|b Palgrave Macmillan,
|c 2007.
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300 |
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|a 1 online resource (viii, 228 pages) :
|b illustrations
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|a The new Middle Ages.
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|a Includes bibliographical references and index.
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|a Once, present, and future kings: kingdom of heaven and the multitemporality of medieval film / Arthur Lindley -- Chahine's destiny: prophetic nostalgia and the other middle classes / Don Hoffman -- Reversing the crusades: hegemony, orientalism, and film language in Youssef Chahine's Saladin / John M. Ganim -- Samurai on shifting ground: negotiating the Medieval and the modern in Seven Samurai and Yojimbo / Randy P. Schiff -- Vikings through the eyes of an Arab ethnographer: constructions of the other in The 13th warrior / Lynn Shutters -- Mission historical, or "[T]here were a hell of a lot of knights": ethnicity and alterity in Jerry Bruckheimer's King Arthur / Carolin Jewers -- Inner-city chivalry in Gil Junger's Black knight: a South Central Yankee in King Leo's court / Laurie A. Finke and Martin B. Shichtman -- Queering the Medieval dead: history, horror, and masculinity in Sam Raimi's Evil dead trilogy / Tison Pugh -- In praise of troubadourism: creating community in occupied France, 1942-43 / Lynn T. Ramey -- Sexing warrior women in China's martial arts world: King Hu's A touch of Zen / Peter Lorge -- The hawk, the wolf, and the mouse: tracing the gendered other in Richard Donner's Ladyhawke / Angela Jane Weisl -- Chaucer's man show: anachronistic authority in Brian Helgeland's A knight's tale / Holly A. Crocker -- The "other" women of Sherwood: the construction of difference and gender in cinematic treatments of the Robin Hood legend / Lorrain K. Stock and Candace Gregory-Abbott.
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520 |
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|a The medieval film genre is not, in general, concerned with constructing a historically accurate past, but much analysis nonetheless centers on highlighting anachronisms. This book aims to help scholars and aficionados of medieval film think about how the re-creation of an often mythical past performs important cultural work for modern directors and viewers. The essays in this collection demonstrate that directors intentionally insert modern preoccupations into a setting that would normally be considered incompatible with these concepts. The Middle Ages provide an imaginary space far enough removed from the present day to explore modern preoccupations with human identity.
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|a Print version record.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Middle Ages in motion pictures.
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650 |
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|a Race in motion pictures.
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650 |
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|a Social classes in motion pictures.
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|a Sex role in motion pictures.
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|a Moyen Âge au cinéma.
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|a Race au cinéma.
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|a Classes sociales au cinéma.
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|a Rôle selon le sexe au cinéma.
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650 |
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7 |
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650 |
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|
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|2 fast
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|
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|a Mittelalter
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|a Historischer Film
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|a Medeltiden på film.
|2 sfit
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|a Historisk film.
|2 sfit
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|a Gender roles
|2 homoit
|0 https://homosaurus.org/v3/homoit0000577
|
655 |
|
4 |
|a Computer network resources.
|
700 |
1 |
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|a Ramey, Lynn Tarte,
|d 1964-
|1 https://id.oclc.org/worldcat/entity/E39PBJpJc7VvPRKhWqktwhTT73
|
700 |
1 |
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|a Pugh, Tison.
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758 |
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|i has work:
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|t Race, class, and gender in "medieval" cinema.
|d New York : Palgrave Macmillan, 2007
|w (DLC) 2006044647
|
830 |
|
0 |
|a New Middle Ages (Palgrave Macmillan (Firm))
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856 |
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