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Make believe in film and fiction : visual vs. verbal storytelling /

Describing in detail precise differences between the psychological experience of reading a novel and watching a movie, Make Believe in Film and Fiction shows how movies' unique magnification of movements produces stories especially potent in exposing hypocrisy, the spread of criminality in cont...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kroeber, Karl, 1926-2009
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Palgrave Macmillan, 2006.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kroeber, Karl,  |d 1926-2009. 
245 1 0 |a Make believe in film and fiction :  |b visual vs. verbal storytelling /  |c Karl Kroeber. 
260 |a New York :  |b Palgrave Macmillan,  |c 2006. 
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504 |a Includes bibliographical references (pages 213-220) and index. 
505 0 |a Brutal Beginnings: Imagining Murder/ Watching Murder -- Moving Eyes, Moving Sculptures -- Inside and outside Somebody Else's Fantasy -- Make Believe Is Always a Story -- Single-Handed and Collective Make Believe -- Movies and Hyper-Visual Culture -- La Strada and the Conjecturing Imagination -- Madame Bovary: Linguistic Configurings of Imaginative Corruption -- Rashomon and Wuthering Heights -- Form in Visual Storytelling: Buster Keaton's The General -- Genre and Transforming Sources: High Noon Forenoon -- Seeing and Imagining Ethical Crises: High Noon: Afternoon -- Great Expectations: Insights from the Impossibility of Adaptation -- Magnifying Criminality: Fargo, Film Noir, and A Perfect World -- Innovative Lawfulness: Learning to Read. 
520 |a Describing in detail precise differences between the psychological experience of reading a novel and watching a movie, Make Believe in Film and Fiction shows how movies' unique magnification of movements produces stories especially potent in exposing hypocrisy, the spread of criminality in contemporary society, and the relation of private experience to the natural environment. By contrasts of novels with visual storytelling the book also displays how fiction facilitates sharing of subjective fantasies, frees the mind from limiting spatial and temporal preconceptions, and dramatizes the ethical significance of even trivial and commonplace behavior, while intensifying readers' awareness of how they think and feel. 
588 0 |a Print version record. 
506 |a University staff and students only. Requires University Computer Account login off-campus. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Motion pictures and literature. 
650 0 |a Narration (Rhetoric) 
650 0 |a Film adaptations. 
650 6 |a Cinéma et littérature. 
650 6 |a Narration. 
650 6 |a Adaptations cinématographiques. 
650 7 |a Film scripts & screenplays.  |2 bicssc 
650 7 |a Television scripts & screenplays.  |2 bicssc 
650 7 |a Literary theory.  |2 bicssc 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a Performing Arts.  |2 eflch 
650 7 |a Film adaptations  |2 fast 
650 7 |a Motion pictures and literature  |2 fast 
650 7 |a Narration (Rhetoric)  |2 fast 
655 0 |a Film adaptations. 
655 7 |a Film adaptations  |2 fast 
655 7 |a Film adaptations.  |2 lcgft 
655 7 |a Adaptations cinématographiques.  |2 rvmgf 
758 |i has work:  |a Make believe in film and fiction (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGWgj6wt79TCCXvYtgHX3P  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Kroeber, Karl, 1926-2009.  |t Make believe in film and fiction.  |d New York : Palgrave Macmillan, 2006  |w (DLC) 2005056648 
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