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|a 302938
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|a Contested modernities in Chinese literature /
|c edited by Charles A. Laughlin.
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|a 1st ed.
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|a New York :
|b Palgrave Macmillan,
|c 2005.
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|a 1 online resource (x, 246 pages) :
|b illustrations
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|a text
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|a Bibliography
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|a Includes bibliographical references and index.
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|a Part I: rewriting literary history. The rhetorics of modernity and the logics of the fetish / Alexander des Forges ; Woman and her affinity to literature: defining women writers' roles in China's cultural modernity / Megan M. Ferry ; Desire and disease: Bai Wai and the literary left of the 1930s / Amy D. Dooling ; What's "Chinese" in Chinese diasporic literature / Emma J. Teng ; Toward a theory of postmodern/post-Mao-Deng literature / Xiaobin Yang -- Part II: the quotidian apocalypse. Modernity and apocalypse in Chinese novels from the end of the twentieth century / Jeffrey C. Kinkley ; A cruel world: boundary-crossing and exile in The great going abroad / Claire Conceison ; Stay or go: Li Gouxiu's ambiguous answer to the Taiwan question / John B. Weinstein ; Tales of a porous city: public residences and private streets in Taipei films -- Part III: the moral subject under global capitalism. Reproducing the self: consumption, imaginary, and identity in Chinese women's autobiographical practice in the 1990s / Lingzhen Wang ; Urban ethics: modernity and the morality of everyday life / Robin Visser ; Capitalist and enlightenment values in Chinese fiction of the 1990s: the case of Yu Hua's Blood merchant / Deirdre Sabina Knight.
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|a Contested Modernities brings together the work of twelve scholars of modern Chinese culture which, from a multiplicity of perspectives, interrogates the myth of modern Chinese culture as a belated or diluted form of the Western experience of modernity. Articles on fiction, drama, film and literary historiography throughout the twentieth century are organized into sections on Rewriting Literary History, The Quotidian Apocalypse and The Moral Subject under Global Capitalism. From the intersecting angles of historical retrospect, shifting historical consciousness, and moral imagination, all show how Chinese cultural producers continue to carve out their own modernisms, neither essentially Chinese nor simply Western.
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|a Print version record.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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0 |
|a Chinese literature
|y 20th century
|x History and criticism.
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650 |
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0 |
|a Modernism (Literature)
|z China.
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650 |
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|a Littérature chinoise
|y 20e siècle
|x Histoire et critique.
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650 |
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|a Modernisme (Littérature)
|z Chine.
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650 |
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|a Literary studies: from c 1900
|z Asia.
|2 bicssc
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650 |
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|a Regional studies
|z Asia.
|2 bicssc
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650 |
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|a LITERARY CRITICISM
|x Asian
|x General.
|2 bisacsh
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650 |
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|a Literature.
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650 |
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|a Chinese literature
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|a Modernism (Literature)
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|a China
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|1 https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3
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|a 1900-1999
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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700 |
1 |
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|a Laughlin, Charles A.,
|d 1964-
|e editor.
|1 https://id.oclc.org/worldcat/entity/E39PCjK4hrxqRQWJRcbXkkgrhd
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|i has work:
|a Contested modernities in Chinese literature (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFFtfjr9PBB9J896Ft7Rw3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|t Contested modernities in Chinese literature.
|b 1st ed.
|d New York : Palgrave Macmillan, 2005
|w (DLC) 2004061675
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