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The literary subversions of medieval women /

This study of medieval women as postcolonial writers defines the literary strategies of subversion by which they authorized their alterity within the dominant tradition. To dismantle a colonizing culture, they made public the private feminine space allocated by gender difference: they constructed?un...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Chance, Jane, 1945- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Palgrave Macmillan, 2007.
Edición:1st ed.
Colección:New Middle Ages (Palgrave Macmillan (Firm))
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Chance, Jane,  |d 1945-  |e author. 
245 1 4 |a The literary subversions of medieval women /  |c Jane Chance. 
250 |a 1st ed. 
260 |a New York :  |b Palgrave Macmillan,  |c 2007. 
300 |a 1 online resource (xiii, 215 pages) 
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490 1 |a New Middle Ages (Palgrave Macmillan (Firm)) 
504 |a Includes bibliographical references and index. 
505 0 |a The Discursive Strategies of the Marginalized -- St. Agnes and the Emperor's Daughter in Hrotsvit of Gandersheim: Feminizing the Founding of the Early Roman Church -- Marie de France Versus King Arthur: Lanval's Gender Inversion as Breton Subversion -- Marguerite Porete's Annihilation of the Character Reason in Her Fantasy of an Inverted Church -- Unhomely Margery Kempe and St. Catherine of Siena: Comownycacyon and Conversacyon as Homily -- Toward a Minor Literature: Julian of Norwich's Annihilation of Original Sin. 
520 |a This study of medieval women as postcolonial writers defines the literary strategies of subversion by which they authorized their alterity within the dominant tradition. To dismantle a colonizing culture, they made public the private feminine space allocated by gender difference: they constructed?unhomely? spaces. They inverted gender roles of characters to valorize the female; they created alternate idealized feminist societies and cultures, or utopias, through fantasy; and they legitimized female triviality?the homely female space?to provide autonomy. While these methodologies often overlapped in practice, they illustrate how cultures impinge on languages to create what Deleuze and Guattari have identified as a minor literature, specifically for women as dis-placed. Women writers discussed include Hrotsvit of Gandersheim, Hildegard of Bingen, Marie de France, Marguerite Porete, Catherine of Siena, Margery Kempe, Julian of Norwich, and Christine de Pizan. 
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546 |a English. 
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650 0 |a Literature, Medieval  |x Women authors  |x History and criticism. 
650 0 |a Women and literature  |z Europe  |x History  |y To 1500. 
650 7 |a Literary studies: classical, early & medieval.  |2 bicssc 
650 7 |a Gender studies: women.  |2 bicssc 
650 7 |a TRAVEL  |x Special Interest  |x Literary.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x General.  |2 bisacsh 
650 7 |a Literature.  |2 eflch 
650 7 |a Literature, Medieval  |x Women authors  |2 fast 
650 7 |a Women and literature  |2 fast 
651 7 |a Europe  |2 fast 
648 7 |a To 1500  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Chance, Jane, 1945-  |t Literary subversions of medieval women.  |b 1st ed.  |d New York : Palgrave Macmillan, 2007  |w (DLC) 2007060090 
830 0 |a New Middle Ages (Palgrave Macmillan (Firm)) 
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