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Art and the human adventure : André Malraux's theory of art /

André Malraux was a major figure in French intellectual life in the twentieth century. A key component of his thought is his theory of art which presents a series of fundamental challenges to traditional explanations of the nature and purpose of art developed by post-Enlightenment aesthetics. For M...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Allan, Derek
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam ; New York : Rodopi, 2009.
Colección:Faux titre ; no. 341.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Art and the human adventure :  |b André Malraux's theory of art /  |c Derek Allan. 
264 1 |a Amsterdam ;  |a New York :  |b Rodopi,  |c 2009. 
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490 1 |a Faux titre ;  |v 341 
504 |a Includes bibliographical references (pages 313-329) and index. 
505 0 |a Cover -- Title Page -- Copyright Page -- Table of Contents -- List of illustrations -- Acknowledgements -- English translations of titles of Malraux's works -- Introduction -- Chapter 1: The Years before 1934 -- Chapter 2: The Human Adventure -- Chapter 3: Art: A Rival World -- Chapter 4: Art and Creation -- Chapter 5: The Emergence and Transformation of "Art" -- Chapter 6: Art and Time -- Chapter 7: The First Universal World of Art -- Chapter 8: The Anti-Arts -- Chapter 9. Art, History, and the Human Adventure -- Conclusion -- Bibliography -- Index. 
520 |a André Malraux was a major figure in French intellectual life in the twentieth century. A key component of his thought is his theory of art which presents a series of fundamental challenges to traditional explanations of the nature and purpose of art developed by post-Enlightenment aesthetics. For Malraux, art - whether visual art, literature or music - is much more than a locus of beauty or a source of "aesthetic pleasure"; it is one of the ways humanity defends itself against its fundamental sense of meaninglessness - one of the ways the "human adventure" is affirmed. Here for the first time is a comprehensive, step by step exposition, supported by illustrations, of Malraux's theory of art as presented in major works such as The Voices of Silence and The Metamorphosis of the Gods . Suitable for both newcomers to Malraux and more advanced students, the study also examines critical responses to these works by figures such as Maurice Merleau-Ponty, Maurice Blanchot, Pierre Bourdieu, and E.H. Gombrich, and compares Malraux's thinking with aspects of contemporary Anglo-American aesthetics. The study reveals that an account of art which Gombrich once dismissed as "sophisticated double-talk" is in reality a thoroughly coherent and highly enlightening system of thought, with revolutionary implications for the way we think about art. 
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