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|a Allan, Derek.
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|a Art and the human adventure :
|b André Malraux's theory of art /
|c Derek Allan.
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|a Amsterdam ;
|a New York :
|b Rodopi,
|c 2009.
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|a 1 online resource (340 pages) :
|b illustrations (chiefly color).
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|a text
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|a data file
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|a Bibliography
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|a Faux titre ;
|v 341
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|a Includes bibliographical references (pages 313-329) and index.
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|a Cover -- Title Page -- Copyright Page -- Table of Contents -- List of illustrations -- Acknowledgements -- English translations of titles of Malraux's works -- Introduction -- Chapter 1: The Years before 1934 -- Chapter 2: The Human Adventure -- Chapter 3: Art: A Rival World -- Chapter 4: Art and Creation -- Chapter 5: The Emergence and Transformation of "Art" -- Chapter 6: Art and Time -- Chapter 7: The First Universal World of Art -- Chapter 8: The Anti-Arts -- Chapter 9. Art, History, and the Human Adventure -- Conclusion -- Bibliography -- Index.
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|a André Malraux was a major figure in French intellectual life in the twentieth century. A key component of his thought is his theory of art which presents a series of fundamental challenges to traditional explanations of the nature and purpose of art developed by post-Enlightenment aesthetics. For Malraux, art - whether visual art, literature or music - is much more than a locus of beauty or a source of "aesthetic pleasure"; it is one of the ways humanity defends itself against its fundamental sense of meaninglessness - one of the ways the "human adventure" is affirmed. Here for the first time is a comprehensive, step by step exposition, supported by illustrations, of Malraux's theory of art as presented in major works such as The Voices of Silence and The Metamorphosis of the Gods . Suitable for both newcomers to Malraux and more advanced students, the study also examines critical responses to these works by figures such as Maurice Merleau-Ponty, Maurice Blanchot, Pierre Bourdieu, and E.H. Gombrich, and compares Malraux's thinking with aspects of contemporary Anglo-American aesthetics. The study reveals that an account of art which Gombrich once dismissed as "sophisticated double-talk" is in reality a thoroughly coherent and highly enlightening system of thought, with revolutionary implications for the way we think about art.
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|a Print version record.
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|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Malraux, André,
|d 1901-1976
|x Aesthetics.
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|a Malraux, André,
|d 1901-1976
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|1 https://id.oclc.org/worldcat/entity/E39PBJwXb7cQMVHRHTThW4V3cP
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|a Art
|x Philosophy.
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650 |
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|a Aesthetics, French
|y 20th century.
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|a Art
|x Philosophie.
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650 |
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|a Esthétique française
|y 20e siècle.
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|a ART
|x General.
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|a Art
|x Philosophy
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|a 1900-1999
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|i has work:
|a Art and the human adventure (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFTCB4rxx8dMcvtW7YWQRq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Allan, Derek.
|t Art and the human adventure.
|d Amsterdam ; New York : Rodopi, 2009
|z 9789042027497
|w (OCoLC)475864373
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830 |
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|a Faux titre ;
|v no. 341.
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