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Point of view, perspective, and focalization : modeling mediation in narrative /
Stories do not actually exist in the (fictional or factual) world but are constituted, structured and endowed with meaning through the process of mediation, i.e. they are represented and transmitted through systems of verbal, visual or audio-visual signs. The terms usually proposed to describe aspec...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor Corporativo: | |
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berlin ; New York :
Walter de Gruyter,
©2009.
|
| Colección: | Narratologia ;
17. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Introduction
- Part I: Re-Specifications of Perspective
- The DNS of Mediacy
- Focalization: Where Do We Go from Here?
- Perspectivization and Focalization: Two Concepts--One Meaning? An Attempt at Conceptual Differentiation
- A Brief Introduction to an Enunciative Approach to Point of View
- Narrative and Stylistic Agency: The Case of Overt Narration
- Beyond Voice and Vision: Cognitive Grammar and Focalization Theory
- Plural Focalization, Singular Voices: Wandering Perspectives in "We"-Narration
- Part II: Some Special Aspects of Mediation
- A Comparative Analysis of Indices of Narrative Point of View in Bulgarian and English
- Focalization, the Subject and the Act of Shaping Perspective
- Coming to Our Senses: Narratology and the Visual
- Part III: Transliterary Aspects of Mediation
- Organizing the Perspectives: Focalization and the Superordinate Narrative System in Drama and Theater
- Focalization, Ocularization and Auricularization in Film and Literature
- Film Narratology: Who Tells? Who Shows? Who Focalizes? Narrative Mediation in Self-Reflexive Fiction Films
- Perspective in Contemporary Computer Games
- Backmatter.